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        • Chapter Seven : Liam and Trish marry
        • Chapter Eight : Farley meets Ned
        • Chapter Nine : 'Ned comes clean to Farley'
        • Chapter Ten : Tragedy hits the family
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        • Chapter Four: ' The Walsh family breakup'
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        • Chapter One: 'The Christmas Enigma'
        • Chapter Two: ' The Breakup of Beth's Family''
        • Chapter Three: From Teenager to Adulthood.'
        • Chapter Four: 'The Mills of West Yorkshire.'
        • Chapter Five: 'Harrison Garner Showdown.'
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        • Chapter Seven : 'The ballot for Shop Steward.'
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        • Chapter Ten: ' Beth buries her Ghosts'
        • Chapter Eleven: Beth and Dermot start off married life in Galway.
        • Chapter Twelve: The Twin Tragedy of Christmas, 1992.'
        • Chapter Thirteen: 'The Christmas star returns'
        • Chapter Fourteen: ' Beth's future in Portlaw'
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        • Chapter One - ‘Nancy Swales becomes the Widow Swales’
        • Chapter Two ‘The secret night life of Widow Swales’
        • Chapter Three ‘Meeting Richard again’
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        • Chapter Five ‘The All Ireland Dancing Rounds’
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Song For Today: 31st March 2019

31/3/2019

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I dedicate today’s song to my brother-in-law, John, who made my sister, Eileen ‘a kept woman’ when he married her in her teens and has provided her with a life of luxury ever since. And yet, despite this untold generosity of John to my sister, the gratitude she gave him was to make the poor man work on long after he had started to collect his retirement pension from the electricity board. Happy birthday John.

Today’s song is ‘Sunny Afternoon’. This song was released by the ‘Kinks’ and was written by their chief songwriter Ray Davies. The song was the title track for their 1967 compilation album. Like its contemporary, the Beatles song ‘Taxman’, ‘Sunny Afternoon’ made numerous references to the high levels of progressive taxation taken by the British Labour Government of Harold Wilson. There is a strong music hall flavour about this song which were far removed from a series of hard-driving power-chord rock hits that initially led to the band’s rise to fame in 1964/65.

‘Sunny Afternoon’ was first written in Ray Davies' house when he was sick. Davies said in interview, “I'd bought a white upright piano. I hadn't written for a time. I'd been ill. I was living in a very 1960s-decorated house. It had orange walls and green furniture. My one-year-old daughter was crawling on the floor and I wrote the opening riff. I remember it vividly. I was wearing a polo-neck sweater”.

Davies went on to say speak about the song's lyrics, "The only way I could interpret how I felt was through a dusty, fallen aristocrat who had come from old money as opposed to the wealth I had created for myself. In order to prevent the listener from sympathizing with the song's protagonist, I turned him into a scoundrel who fought with his girlfriend after a night of drunkenness and cruelty."
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Today’s song is dedicated to my brother-in-law, John. Today is John’s 76th birthday. John is one of those steady chaps who has no enemies, and everyone likes him. He married my sister Eileen 55 years ago when I was living out in Canada and Eileen was still adorning herself in the polka dot dresses of an adolescent and was wearing bobby socks around her girlish ankles.

John and Eileen are one of those very fortunate and rare couples who met the person they married in their youth, stayed married to them ‘until death do they part’ (they had their 55th wedding anniversary this year), raised a family of three lovely daughters (each of whom are all mothers of teenagers and remain married with their original husband).

It appears so true that ‘what goes ‘round tends to come around!’ It is also statistically suggested that if the parents of any child/children stay happily married throughout their offspring’s development from child to teenager to adulthood, then those very same children will more than likely go on to happily marry themselves, stay married to each other and become good parents to happy children of their own.

Even in the steadiest and the best of marriages, however, all is never quite as it seems. It is in the nature of things that husbands and wives remain destined to face different realities and quality of experiences when it comes to sharing out the birthday cake (and everything else for that matter)!
There are four phases to a lifelong marriage that must be negotiated in a strict order of importance.

‘Phase One’ is the honeymoon period of passion and regular lovemaking during the romantic couple's first year as husband and wife. ‘Phase Two’ is between the birth of however many children they parent and the children’s commencement of primary school. ‘Phase Three’ is when the role of ‘husband’ becomes a subsidiary role to that of ‘father’ ( between the years when the child is aged one day old to when they leave home and establish an independent lifestyle), while the role of ‘wife’ is now permanently exchanged for the lifelong role of ‘Mother Earth’. ‘Phase Four’ is supposed to start after the couple have entered their twilight years of retirement from work; when for the first time since their honeymoon year as a newly-weds, they now find themselves together once more with time on their hands. This is the time in their lifelong marriage to leisurely sit side-by-side in their rocking chairs of contentment in their sunny back garden and to go off on coach tours around the country.

I am sure that the happy marriage of Eileen and John negotiated phases one, two and three as all happy marriages usually do. However, Eileen kindly let me in on the secret as to why her and John’s marriage has lasted and will last until one of them passes away (on the strict condition that I never impart this knowledge to any married man, for it is common knowledge to every married woman in the land).

Eileen tells me that there are many unwritten rules known only to the wife upon marriage that need to be enacted before the husband knows what is happening. According to Eileen, the golden rules that lead to the married couple celebrating their golden wedding anniversary on this side of the green sod state clearly: that just as the division of spoils is always unjustly divided in favour of the wife who divorces her husband, then so it is similarly unjustly divided, even when the couple’s marriage is lifelong and going strong!

My sister Eileen informs me that both husband and wife are brought up as boy and girl having been indoctrinated with different doctrines and philosophies by their mothers, fathers and society. The boy moves to the roles of manhood and husband in the sound belief that ‘man and wife’ row the same boat in the same direction and that ‘what’s mine is hers’ and ‘what’s hers is mine!’. The wife, however, has a slightly different take on things. She has been brought up believing that while it is okay that her husband does the rowing of the boat, it is she who steers the rudder towards the destination she has unilaterally decided to go. She, on the other hand, has also been brought up with the philosophy of a typical Yorkshire woman, ‘What’s thine is mine, and what’s mine is me own!’

During their first few years of blissful marriage before children come onto the scene, there is one thing that the husband can rely on his wife to give him exclusively (about once a week on average, annual holidays, birthdays and the occasional Saturday night at the W.M.C. after both arriving home drunk as skunks; namely her total love and her physical companionship. Eileen informs me that all Yorkshire wives know how to make an offer that no man can refuse, ‘but at a time when they are too drunk to do anything about it!’

Once a child enters the marital frame and parenthood looms large, even that loving contact is forced to take a back seat and rapidly diminishes after the first infant is born to their union. The husband and new father now experience the rapid redistribution of his wife’s allocation of love once she embraces the first baby in her arms. The infant is instantly placed in close proximity to its mother’s breast and heart. This is a closeness that a mother and her child shares for the rest of their lives and one that no father or husband will ever share with either his child or wife. The husband no longer gets all his wife’s love and quickly must physically and emotionally readjust to take what little comes his way whenever it is now offered. This is the most likely time that the husband and the family pet invariably become much closer pals.

As the first child is added to with child two and child number three, the uneven redistribution of love that occurs between the roles of mother and wife continues unabated. And until she can get all three children off to the 'First School' and herself back into a regular sleeping pattern of more than four or five hours nightly, she will remain ’touched out’ to her poor husband’s physical advances. Meanwhile, the poor husband has been starved of physical affection for his first five years of parenthood, all the way through to the end of the first five years of his wife’s menopause. She begins her ‘change of life’ cycle in her 50s, while his life has undergone ‘change’ ever since the one-week honeymoon period ended, the week after the happy couple returned from their luxurious boarding-house experience in Skegness.

Thus, the cycle of learning between man and wife is indelibly forged, with the wife acting in the role of Blacksmith and her husband having his once broad back bowed in permanent subservience. Meanwhile, his wife uses his manly support to forge whatever ambition is her choice as the female Blacksmith beats, batters and shapes her will and design on her trusty anvil.

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Upon leaving school, my brother-in-law John joined the electricity board, where he remained until he’d served his 30 years. Like most men with grown-up children who’d flown the nest, and having the opportunity to experience many retirement years on a good pension in the sound health of a fifty-year-old-man, John dreamed of spending his early retirement taking leisurely walks to the local park, frequenting the local pub on his way back home for a home cooked lunch awaiting him, tending to his garden or pottering around in his garage that doubled as his work shed. And of course, instead of crawling in a watery and cold muddy trench to reconnect an electricity supply, he could now spend his time sitting and lazing in the back garden with a bottle of cool beer on a sunny afternoon, while his wife Eileen brought him salmon and cucumber sandwiches to munch on between lunch and evening meal.

Fifty-five-year-old John, however, being wholly unacquainted with the golden rules of a Yorkshire wife was soon ‘brought back to earth’ (forgive the pun) with a big shock. He retired from the Electricity board on Friday night (expecting a forty-year life of luxury thereafter) only to find that on the following Monday morning he had started another job as a maintenance man at a Care Centre in Mirfield, which his wife had already lined up for him behind his back.

When John got to the age of 70 years and was obliged to finally retire from the Care Centre, he was too knackered to enjoy his sunny afternoons in the garden living the life of ‘Riley’ as fate had decreed, he should. After finally putting his foot down for the first time in his life, he refused to take up the shelf-filling job at Asda that Eileen had sourced without his knowledge and told Eileen in their 57th year of marriage, “Now look here, lass! If you want this marriage of ours to last, then things in this relationship will have to significantly change!” To his surprise, Eileen simply replied, ”Okay, John!” A stunned John looked at Eileen and said, “Why have you never given in to me before, Eileen?” to which Eileen wryly smiled and replied, “Because you never asked, John”. John replied, “Does that mean I could have had anything I wanted from you over the past 57 years by simply asking for it?” Eileen replied, “ You'll never know, dear husband!"

A happy Birthday John. May your special day be filled with much love, happiness, peace…and… lots of cake. Your brother-in-law Billy (who incidentally retired at the early age of 52 years).
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Love and peace Bill xxx
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Song For Today: 30th March 2019

30/3/2019

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(If you have the time to read the accompanying words, I am sure you will find my song choice today much more meaningful than otherwise).

Today’s song is ‘Tiger Feet’, a popular song by the English glam rock band ‘Mud’. The song was written and produced by the songwriting team of Mike Chapman and Nicky Chinn and was released in January 1974. It was the band's first number No. 1 single in the ‘U.K. Singles Chart’. ‘Tiger Feet’ was a huge success, it was Number 1 in the United Kingdom and Ireland charts for four weeks in 1974 and also topped the charts in the Netherlands. It sold over 700,000 copies in the UK alone and over a million sales globally. It was also the best-selling single in Britain that year.

'Tiger Feet' was featured as part of a medley on Mud's album ‘Mud Rock’, which reached Number 8 in the ‘UK Albums Chart’. The song has been used in numerous promotional features such as:

The song featured in the Mr Bean episode ‘Mind the Baby, Mr Bean’.
In 2009, the song appeared in television adverts for ‘Flora Margarine’.
The song featured as part of the ‘2012 Summer Olympics Opening Ceremony’.
A version of the song by ‘New Hope Club’ featured in the 2018 film ‘Early Man’ and was subsequently released as a single. 
A version of the song was featured in the 2018 miniseries ‘A Very English Scandal’. 

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My greatest memory of ‘Tiger Feet’ was it being one of those songs which produced instantaneous involuntary foot-tapping and an urge that could not be ignored to ‘get up and dance’. The beat is simply one of the most infectious beats I have ever heard, so much that the words are essentially rendered meaningless and are not essential to the elicitation of one’s pleasure. As to the nature of one’s dancing partner, it didn’t matter whether it was the most beautiful woman on the crowded dance floor your eyes were gazing into or simply the mop or brush handle from the utility cupboard you held tenderly; you could even be dancing to the beat without a partner as you listened and rocked your body.

For almost thirty years, I was one of the country’s leading authorities on Relaxation Training and Stress reduction management, especially with people whose aggression often was involuntarily expressed and when it was, it invariably became out of control. My group work received national acclaim in the Social Work field and was frequently referred to in some Psychiatric journals and at the meetings of numerous Psychologists. My work was even mentioned in print in French medical research paper.

Between 1970 and 1995, I ran hundreds of groups teaching thousands of people how to relax, to appropriately express their anger states and how to reduce their stress levels. The membership number of each group might vary from twelve to thirty (I have even held halls of Relaxation groups totalling up to 500 people being taught how to relax). My groups were held in Probation Offices, Hostels, Hospitals, Drug and Alcoholic Abuse Centres, Prisons (I was the first Probation Officer in Great Britain to introduce Relaxation Training into H.M. Prisons and even worked with groups of Lifers at Newhall Prison in Wakefield). Relaxation Training Groups were also held in all Educational Establishments such as primary, secondary and grammar Schools, Colleges and a few Universities; Psychiatric establishments, Training establishments like Probation Officers, Police, Fire Men and Women and Prison Staff. Last, but not least were the Churches and the wider community in Community Halls where I held regular Relaxation training classes throughout Yorkshire.

When I worked in Huddersfield, there was an establishment in Kirkburton which carried an instant stigma for any patient resident there. The name was ‘Storthes Hall’. It was here where (apart from the prison lifers I worked with) that I met my most challenging work. Most patients in this psychiatric establishment were heavily medicated. Some had been a resident there over twenty years, and some of the more aggressive patients or those whose behaviour was inexplicable, antisocial and wholly unacceptable would be placed on locked wards; sometimes restricted to their rooms for most of the day and even confined to padded cells. Indeed, the establishment resembled both prison and mental institution combined. As a rule, the more balanced of all the resident/patients could best be described as being severely disturbed in mind or emotionally unbalanced in temperament. Almost all were extremely restricted in movement, agility and dexterity.

When once asked by a colleague why I would want to work with such people who could never learn to sit down for five minutes, let alone ever understand their aggressive behaviour, reduce it in practice or learn to relax, I replied, ‘Because you or I could easily have been one of these ‘unfortunate forgotten’, and for the better part of one year of my mother’s life, she was resident there for three months on two occasions while she underwent E.C T. (Electroconvulsive Therapy (an extreme method of treatment that was introduced in 1938 to induce seizures but which became much derided by medics and Social Workers before the end of the century).

A brief history of ‘Storthes Hall’ is as follows: Part of the heavy woollen area of Kirkburton, Huddersfield, this monolithic mansion in heavily wooded grounds comprises of a single road, Storthes Hall Lane which links Kirkburton with the nearby villages of Farnley Tyas and Thurstonland. Two of the most significant properties in the area are ‘Storthes Hall Mansion’ (now private property) and, further west, ‘Storthes Hall Hospital’ (partly redeveloped as a student village in the 1990s but with the main administrative block surviving as a derelict building in the New Millennium).

‘Storthes Hall Mansion’ was built as a private house for the mill-owning ‘Horsefall’ family in about 1788. An area to the west of ‘The Mansion’, closer to Farnley Tyas, was developed as a psychiatric hospital in the early 20th century. The facility was designed by J. Vickers-Edwards on a compact arrow layout and opened as the ‘Fourth West Riding Pauper Lunatic Asylum’ in 1904. The facility became known as the ‘Storthes Hall Mental Hospital’ in 1929, as the ‘West Riding Mental Hospital’ in 1939 and finally as the ‘Storthes Hall Hospital’ from 1949.

‘Storthes Hall Hospital’ was one of several hospitals investigated in 1967 as a result of the publication of Barbara Robb's book ‘Sans Everything’. The accusations covered a thirty-two-week period of serious violent assaults with fists or weapons against male patients of all ages, committed by four named male nurses. It was also alleged that it was like Belsen because it was a “brutal, bestial, beastly place, no better than a ‘hell-hole’.

However, the same report found none of the allegations against any named or unnamed member of the hospital staff to have been proved. ‘Storthes Hall Hospital’ closed in 1992 in conjunction with the ‘Care in the Community’ government policy (a policy of ‘de-institutionalisation), treating and caring for physically and mentally disturbed people in their homes rather than in an institution. Institutional care was a target of widespread criticism during the 60s and the 70s (about the time I was running my Relaxation and Anger Management groups there with both patients and staff), but it wasn’t until 1983 when the government of Margaret Thatcher adopted a new policy of care after the ‘Audit Commission’ published a report called 'Making a Reality of Community Care' which outlined the advantages of closing down these establishments.

Like all government policies (whatever the political complexion of the party in power), reduced cost to the government takes priority over increased care to the patients/residents. When I engaged in my Relaxation Training groups there, I had stand up battles with the senior administration when I insisted that any member of my group who wasn’t mentally insane or had bipolar would be preferably removed from medication two days before each weekly session and one day after.

Back to ‘Tiger Feet’. As it was easier getting the patients to express their anger once they were not medicated up to the eyeballs than getting them to relax for any significant lengthy periods, music and movement was an ideal way to release their tension.

So, like the former group member of ‘Storthes Hall Hospital’, whether you are bedbound, chair bound or mobility restricted, as the song is heard, do your dance, jump, stomp your feet, tap your feet, shake your body, move your head from side to side, clap your hands and even raise your eyebrows up and down…..and feel the benefit of that expressed energy escaping from your body in little balls of anger being shot out in every direction.

Love and peace Bill xxx
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Song For Today: 29th March 2019

29/3/2019

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Today is the birthday of my youngest brother, Michael. May your day be filled with much love, happiness and a few pints dear brother. I dedicate the song I sing today to you as (1) It is Irish and (2) The main character of the song is a man called 'Michael' who gets deported to Botany Bay for stealing food for the children.

One of the finest characteristics of you, Michael is that nobody can ever accuse you of not being a family man over the past thirty years. I know that the decorating trade which you have always been in now gets more difficult with increasing age, but I also see a tremendous pride that you display just to be able to decorate the family home which you share with your wife, Denise and your son. Carl.

I am sorry that I am unable to share a pint with you on your birthday but get one on me and I'll pay you for it when I next see you. Incidentally, I am having the landing wall replastered as it is uneven and shall require some decorator to put me one 8 foot strip of wallpaper on in about a month. If you know someone who is capable of doing it, tell them to pop around. 

Love from Big Brother Billy and Sheila xxx
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Song For Today: 28th March 2019

28/3/2019

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Today’s song is ‘Stagger Lee’. ‘Stagger Lee’, also known as ‘Stagolee’ and other variants, is a popular American folk song about the murder of Billy Lyons by ‘Stag Lee Shelton’ in St, Lousis, Missouri at Christmas, 1895. The song was first published in 1911 and was first recorded in 1923 by Fred Warings’ ‘Pennsylvanians’. A version by Lloyd Price reached Number one on the ‘Billboard Hot 100’ in 1959.

The historical Stagger Lee was Lee Shelton, a black pimp living in St Lousis Missouri in the late 19th century. He was nicknamed ‘Stag Lee’ or ‘Stack Lee’, with a variety of explanations being given: He was given the nickname because he ‘went stag’ (meaning he was without friends). He took the nickname from a well-known riverboat captain called ‘Stack Lee’; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the ‘Stack Lee’, which was known for its on-board prostitution. He was well known locally as one of the ‘Macks’; a group of pimps who demanded attention through their flashy clothing and appearance. In addition to these activities, he was the captain of a black ‘Four Hundred Club’. This was a reputed ‘social club’ with a most dubious reputation.

On Christmas night in 1895, Shelton and his acquaintance William ‘Billy’ Lyons were drinking in the Bill Curtis Saloon. Lyons was also a member of St. Louis' underworld and may have been a political and business rival to Shelton. Eventually, the two men got into a dispute, during which Lyons took Shelton's Stetson hat. Subsequently, Shelton shot Lyons, recovered his hat, and left. Lyons died of his injuries, and Shelton was charged, tried and convicted of the murder in 1897. He was paroled in 1909 but returned to prison in 1911 for assault and robbery. He died in incarceration in 1912. 
The crime quickly entered into American folklore and became the subject of song as well as folktales and toasts. The song's title comes from Shelton's nickname, ‘Stag Lee’ or ‘Stack Lee’. The name was quickly corrupted in the folk tradition. 
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I first became acquainted with this song during a period in the 1970s when I would often attend folk concerts held in pubs and local venues. Over several years, I was to read up on the oldest of folk songs, as I loved the history of the times told through song and verse. I had always been interested in the history of the British Isles; particularly the old stories and songs that sprang up within all manner of occupations such as Cornish tin miners, Yorkshire miners, fishermen of our sea villages and workers of the Industrial Revolution in textile mills, in steelworks and on the railways.

I recall a period when I became predominantly interested in songs that told true stories about the tragic killings and deaths of others. I wasn’t being particularly macabre; it was merely my interest in all manner of emotional violent expression that fascinated me more. Being the founder of ‘Anger Management’ during the early 1970s, uncontrolled aggressive behaviour and acts of involuntary violence always interested me. In addition, my growing interest in the method of ‘Behaviourism’ led me to be naturally interested in all manner of expressed aggression and acts of crime committed in the heat of the moment. I also had a natural and professional interest in ‘why’ they were done, and wherever possible, being able to identify the possible motive behind such action?

It was during this period when I discovered the song ‘Stagger Lee’ and the grizzly, true story that lay behind it.

Love and peace Bill xxx
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Song For Today: 27th March 2019

27/3/2019

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My dear father died 28 years ago at the age of 75 years. I have written so much about him in the past; suffice it to say he was a good man, a good father and a good husband. Any character failings he had was insignificant when compared to his numerous qualities of humility, honesty and integrity He was a Godfearing man of industrious nature who was much respected in any community he ever lived or worked; Oh, and he played football for both the Irish county of Kilkenny where he was born and for the Irish National soccer squad and never told his children.

We might never have found out about his celebrated past if an Irish Newspaper in Kilkenny had not written an article reporting the homecoming of football hero Paddy Forde and the warmest of welcomes my father received when he was greeted by a brass band at the railway station in Kilkenny upon arrival during a rare visit back to Ireland. Having been a young 'football widow' for three years and also the mother of three children under 4-years of age, my father's continued absence from the family home was a period in my mother's early marriage that she didn't want reminding of. Occasionally, mum would mention in annoyance that my dad played football, but all details of when, where and who for was never mentioned. Dad usually allowed such barbed comments to pass without elaborating on them.

Mum would undoubtedly have accepted my father's regular absence from the home more readily, had being a national footballer in 1945 attracted the huge wages professional footballers receive today. But these were the days when Irish footballers who played for their county and country, did it wage-free and received travelling expenses only! These were the days when the 'pride of doing something for one's country' trumped 'what amount of payment one might receive in recompense'.These were the days of 'giving' and not 'taking'.

The Forde family eventually migrated to England and after dad commenced work as a miner, the growing family lived in a tied cottage in Liversedge, West Yorkshire, until we moved into a brand new council house with ceramic bath, indoor toilets, and a working shed for dad to keep his tools and bicycle. My mother gave birth to seven children of whom I was the oldest, wisest, most devilish and best looking of the brood.

During my first 15 years of life, mum and dad were as happy as any young married couple with little money and lots of children could possibly be. The family was very close and we went on family walks every Sunday afternoon after arriving back from attending church.

Like all families, we had our family traditions and like all Irish Immigrants of the time, my parents remained fiercely Irish in their taste whenever it came to songs, stories and films. Ever since we first got a television, there has never been one Christmas when the Forde Family would sit in front of the box and watch the most famous of all Irish films, 'The Quiet Man' that starred father's favourite film star, John Wayne, and his red-headed independent wife, Maureen O'Hara, whose fiery temper and stubborn ways gave the movie its main storyline. Indeed, ever since that first Christmas, we viewed this family film, never has a Christmas passed by without its seasonal viewing by myself, out of respect for my deceased parents as well as for my own pleasure. In fact, I'd say that without the erection of a proper Chrismas tree inside the lounge, without my attendance at Midnight Mass, receiving Holy Communion and singing 'Silent Night', and without watching 'The Quiet Man' during the Christmas festive season' then'It just wouldn't be Christmas!'

Throughout the film of 'The Quiet Man' could be heard the theme tune of that wonderful Irish song 'The Isle of Innisfree'. I swear that this haunting melody and the words of the song shall stay with me until the day I die, Even in the event that I get severe Alzheimer's before I die, even then, I know I will never forget both tune and words to this wonderful song. Indeed, my mother loved the song so much that I cannot recall one day during my development to getting married at the age of 26 years that I didn't hear her sing it repeatedly as she worked around the house.

I only have one more thing to do as I say to my wife, Sheila to conclude this morning's post. The words are taken from a line that is taken from the film's concluding scene and which every Irish man knows by heart and repeats daily to his spouse,

Let me briefly set the final scene of the film. Sean Thornton (John Wayne) returns home with his feuding brother-in-law (Victor McLaglen).who has never accepted his sister's marriage to the character Shaun Thornton. Both men have had a huge fight that lasts half an hour (one-third of the film's length) which finishes up without a conclusive winner. They instantly become eternal buddies and get drunk before going back to Sean Thornton's home arm-in-arm in drunken revelry. As Sean Thornton enters his home, his wife is setting the table for her husband and brother to dine. Thornton flings his flat cap through the air and it lands perfectly on a wall hook as he pronounces his immortal words that are inscribed on the mind and heart of every Irish man since 1952, "Get the tea (pronounced tae) on woman! Your husband's home and he's brought your brother with him!'
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Song For Today: 26th March 2019

26/3/2019

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Today’s song is dedicated to our good neighbours, Brian and Veronica Morehouse as a belated wedding anniversary vocal gift. 

The song is ‘Unchained Melody’; a 1955 song with music by Alex North and lyrics by Hy Zaret. North used the music as a theme for the little-known prison film called ‘Unchained’ in 1955, hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most often recorded songs of the 20th century, most notably by the ‘Righteous Brothers’. According to the song's publishing administrator, over 1,500 recordings of ‘Unchained Melody’ have been made by more than 670 artists, in multiple languages. 

In 1955, three versions of the song charted in the ‘Billboard Top 10’ in the United States, and four versions (by Al Hibbler, Les Baxter, Jimmy Young and Liberace) appeared in the Top 20 in the United Kingdom simultaneously; an unbeaten record for any song. The song continued to chart in the 21st century, and it was the only song to reach number one with four different recordings in the UK until it was joined by ‘Do they know it’s Christmas’ in 2014. 

Of the hundreds of recordings made, the ‘Righteous Brothers’ version in July 1965, with a solo by Bobby Hatfield, became the jukebox standard for the late 20th century. Hatfield changed the melody and many subsequent covers of the song are based on his version. The ‘Righteous Brothers’ recording achieved a second round of great popularity when featured in the film ‘Ghost’ in 1990. In 2004, it was Number 27 on ‘AF1’S 100 Years of 100 Songs’ survey of top tunes in American cinema.

Origin of the Song
In 1954, North was contracted to compose the score for the prison film ‘Unchained’ (released in 1955). North composed and recorded the score, and then was asked to write a song based upon the movie's theme. North asked Hy Zaret to write the lyrics, but Zaret initially declined, saying he was too busy painting his house. North was able to convince him to take the job, and together they wrote ‘Unchained Melody.’ Zaret refused the producer's request to include the word ‘unchained’ in his lyrics. The song eventually became known as the ‘Unchained Melody’, even though the song does not actually include the word ‘unchained’. Instead, Zaret chose to focus on someone who pines for a lover he has not seen in a ‘long, lonely time’. The film centred on a man who contemplates either escaping from prison to live life on the run or completing his sentence and returning to his wife and family. The song has an unusual harmonic device as the bridge ends on the tonic chord rather than the more usual dominant chord. With Todd Duncan singing the vocals, the song was nominated for an Oscar in 1955, but the ‘Best Song Award’ went to the hit song ‘Love is a Many Splendored Thing’. ‘Billboard’ ranked this version as the Number 5 song of 1955.

Al Hibbler’s recording of the song reached Number 3 on the ‘Billboard’ charts and Number 2 in the ‘UK Chart Listings’. He was quickly followed by Jimmy Young, whose version hit Number 1 In the British charts. Jimmy Young also later re-recorded another version of his 1955 chart topper in early 1964, which rose to Number 43 in the United Kingdom. Two weeks after Young's version entered the top 10 of the British charts in June 1955, Liberace would score a Number 20 hit. Roy Hamilton’s version reached Number 1 on the ‘R&B Best Sellers list’ and Number 6 on the pop chart. Harry Belafonte sang it at the ‘1955 Academy Awards’, where it was nominated for the ‘Academy Award for Best Original Song of 1955’. Belafonte had also made a recording of the song, as did, Perry Como which was released in 1955. In 1963. American rock and roll star Gene Vincent and a version of this song was used in the soundtrack for the film, ‘Goodfellas’ in 1990. 

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I recall this song for three main reasons. First was that while I could sing the song at the age of 21 years as it was meant to be sung (especially at the close of it), fifty-four years of non-singing practice between 1964-2018 left me unable to reach its musical crescendo ever again as I once could. The second reason I remember the song so well was when I learned that Jimmy Young (a radio presenter I had listened to for most of my life on BBC Radio 2) had been one of the first singers to have had a Number 1 hit with ‘Unchained Melody’. The third and most popular version of the song that I enjoyed was by Robson and Jerome. I recall being a regular television viewer of a hit 1994 military drama series that starred Robson Green and Jerome Flynn; and particularly one week when the duo was called upon to sing ‘Unchained Melody’.  The military drama series ‘Soldier, Soldier’ was to spawn one of the hottest pop acts around.  Seeing them, the opportunist, Simon Cowell, who was still trying to make his name in the musical production business, spotted the couple’s potential and offered them a £1million contract to record and release the song after huge public demand. Initially Robson Green threatened legal action against the persistent harassment Cowell initiated of them over a four-month period as he tried to persuade them to record the song. The song proved a massive success for Cowell and the impromptu singing duo, and it raced to the top of the charts in 1995. 

Their cover of the song (in the Righteous Brothers’ style) had ‘White Cliffs of Dover’ on the ‘B’ side. It immediately reached Number 1 in the charts, stayed in the top spot for 7 weeks, and became the best-selling song of 1995 in the UK. It was also the best-selling song of the 1990s decade until it was overtaken by Elton John’s ‘Candle in the Wind’ in 1997 and Elton John’s funeral tribute to Princess Diana.

The duo’s follow-up singles. ‘I Believe’ and ‘What becomes of the Broken hearted’ (released in 1996) also reached the Number 1 spot on their release. They became the first act in the United Kingdom to have their first three singles go straight into the Number 1 spot in the charts. Their third single ’What becomes of the Broken-hearted’/ ‘Saturday Night at The Movies’/ ‘You’ll Never Walk Alone’ is the only single ever released as a Triple ‘A’-side to go to Number 1. 

The duo made cover versions of popular songs that became huge hits under their names. They sold over 12 million records of their hits and decided to quit despite being offered £3 million for a third album by Cowell. 

The sad thing was that despite their singing success in so short a time, the musical critics (who were too snobbish and purist in their opinions) rated them as essentially being second-class pub singers. They argued that while Robson & Jerome were popular among the ‘Baby Boomer Generation’ the music critics argued that they lacked artistic merit. Stephen Thomas Erlewine in ‘All Music’ wrote that they "offered nothing new musically" and said that: "such grand success made them the target of derision for much of the music press, who criticized the duo's manufactured, polished covers of pop and rock classics as nostalgia mongering”. As a consequence, to such criticism, the duo decided to get out of the music business and return to their acting careers. All I can say is “What a loss! Come back Robson and Jerome. We all love you.” 

I dedicate this song to my good neighbours, Brian and Veronica Morehouse and allotment buddies of me and Sheila who celebrated their 46th wedding anniversary on March 23rd  2019. A very happy belated anniversary you two love birds. Thank you for being there for both Sheila and I whenever needed over the past few years. Your friendship is greatly valued by both of us. Long may your love remain ‘chained to each other’s affections’ and provided you with the link to eternal happiness. 

​Love and peace Bill xxx


              


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Song For Today: 25th March 2019

25/3/2019

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Today’s song is ‘Do You Wanna Dance’. This was a song written by American singer Bobby Freeman and recorded by him in 1958. It reached number Number 5 on the United States ‘Billboard Top 100 Chart’ and also reached Number 2 on the ‘Billboard R&B Chart’.

Cliff Richard and The Shadows’ version of the song reached No. 2 in the United Kingdom in 1962, despite being a B-side. ‘The Beach Boys’ version reached Number 12 as ‘Do You Want to Dance?’ in the United States in 1965, and a 1972 cover by Bette Midler ‘Do You Want to Dance?’ reached Number 17. A different song titled,’ Do You Wanna Dance?" was a UK hit for Barry Blue in 1973.

The song was covered by many other artists including Bobby Vee: The Four Seasons: Del Shannon: Sonny and Cher: The Mamas and The Papas: Johnny Rivers and John Lennon.
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If there was ever one thing that used to frighten the living daylights out of all my dancing buddies, it was the risk of being refused as they had approached a girl on the dance floor to ask her for a dance. The more beautiful the girl they asked to dance was, the higher was their stress level and fear of being refused. So many of my mates from the estate who went dancing with me every Friday and Saturday night (however well they rocked and rolled) hated the long walk across the dance floor under watchful eyes, to invite a girl to dance, and then, if refused, having to make the long ‘walk of shame’ back to the whistles and shouts of ‘loser’ from their barracking friends.

One thing my mother taught me very early on in my life that was to stand me in good stead for the rest of it was, "Billy, if you don’t ask, you never get!" and the best behavioural lesson I ever learned from her was that "those who expect to succeed, succeed more often than those who don’t!"

Often, my conversations with my friends (many of whom were as good as bopper on the dance floor as myself), led me to understand the difference in rationale we all employed before selecting which girl from the group we asked to dance. Whereas I always picked the best-looking girl on the floor to dance if she was free, the others would not. They mostly reckoned that they’d be more likely to receive a ‘yes’ to their invitation (whatever their invitation throughout the night was) if they selected a girl whose looks were average or bordering on plain. I never understood this rationale and as my method worked for me, I invariably danced with the best-looking dancers on the floor most of the time.

One evening at the ‘Ben Riley Dance Hall’ in Batley, I saw a beautiful young woman sitting out the dance after three young men had asked the other three girls from the group of four girls to dance with them. I could hardly believe that none of the three male boppers had asked the most beautiful girl in the group to dance in preference to one of the other three girls. After a few dances, we sat down at a table and had a drink and a chat. During our conversation, the girl told me that ironically, her beauty of body and face frightened off most chaps from asking her to dance, fearing that she would be most likely to decline their offer. She also added that were she able to have picked the body and face God gave her, she would have undoubtedly had more fun and more dances had she chosen a less striking one. I must admit that my immediate inner response was ‘More fool them!’ and ‘More power to your elbow, Bill!’

I am so glad that I always took on board most of what my mother told me, and this merely strengthened my view the longer I lived that ‘If you don’t ask, you never get!’

Now then, how about you sitting your life out? I only have one thing to say to you, “Do you wanna dance?”
Love and peace Bill xxx
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Song For Today: 24th March 2019

24/3/2019

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Today’s song is ‘Close to You’. This was a song that was written by Burt Bacharach and Hal David. It was most notably recorded and performed by the Carpenters.

The song was first recorded by Richard Chamberlain and released as a single in 1963 as, ‘They Long to Be Close to You’. Other recordings of the song were released by Dionne Warwick, Dusty Springfield, and most notably by the Carpenters. 
Karen and Richard Carpenter recorded the most commercially successful version of the song. In 1970, it was released by the Carpenters on their album ‘Close to You’, and it became their breakthrough hit. The song stayed at number one on the ‘Billboard Hot 100’ for four weeks. This song was originally given to Herb Alpert as a follow up to his number one hit, ‘This Guy's in Love with You’, another Bacharach-David composition. Alpert was not thrilled with his version and shelved the recording. Looking for a follow-up success, in 1969 Alpert decided to give it to the ‘Carpenters’.

With ‘(They Long to Be) Close to You’, the Carpenters earned a Grammy Award for ‘Best Contempory Performance by a Duo, Group or Chorus’ in 1971. It became the first of three Grammy Awards the Carpenters would win during their careers.

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If one wanted to choose a position in life that produced the greatest feelings of happiness, security and contentment, it would undoubtedly be ‘being close’ to the one you love most in the world.

When one is first in love and even during life thereafter when one is still with their one true love, the thing least wanted is being separated from each other for any significant amount of time. ‘Being Close to You’ is the only comfort blanket needed to complete any love nest.

Hence, the bereavement and loss of a loved one is the greatest of life’s sacrifices. It should be of little surprise to therefore discover, that it has been estimated to take a minimum of three years after the initial loss of a loved one (even when the mind and body have healthily processed the event), before the bereaved person is ‘emotionally ready for moving on’. 
Please note that being emotionally healthy for ‘moving on’ doesn’t mean that the bereaved person re-enters the dating scene, sells up the matrimonial home and buys another in a different area of the country or flings themselves into a new business venture, or takes up that educational course and obtains that qualification they always planned to get, or pursues that profession they always dreamed of one day entering had they not married as early as they did.

No! ‘Being ready to emotionally move on’ is just the recognition that ‘one’s emotions are no longer unsettled or disturbed’. One is simply saying to one’s own mind and body, “Hi there, I’ve had my bad time; I’ve healthily gone through the storm that followed which left me feeling emotionally battered and bruised. And although my body may always carry those marks of a sad event that I’ll never forget, I have now come through the storm and am now out of it at the other side. While I am not particularly seeking any specific change in my life at the moment and remain happy to just live it day by day, ‘ I’m now emotionally available’ in the event of wanting change in my future life”.

Even then, the bereaved person will forever remember their loved one whom they will always keep close to them in their mind and heart. Each time they engage in an act that was once shared with their loved one or visit a favourite place or celebrate some other aspect of life like birthdays, holidays, Christmas and New Year’s Eve, the memory will instantly recall the occasion and the emotions inside will express a bit of sadness. Even after the bereavement process has been healthily negotiated, the need of the bereaved person ‘never to forget’ the one they loved and lost will remain an unconscious choice of the mind and body ‘because not forgetting them is the only way of remaining close to them’.

Love and peace Bill xxx
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Song For Today: 23rd March 2019

23/3/2019

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SHOULDER DISLOCATION DAMAGE: On Wednesday, March 20th, I had 'Nerve Conductive Tests' carried out at Airedale Hospital on the damaged areas of my shoulder that my recent operation to replace was only partially successful (leaving me with approximately 50% of normal movement and dexterity. The tests showed better results than were initially expected by the Bone Consultant, who had previously indicated to me that the shoulder had been irreparably damaged and he feared, could not be improved upon according to the recent x-rays. The 'Nerve Conductivity Tests' revealed there to be some presence of nerve conductivity; not enough to suggest that a possible shoulder replacement would ever be a viable possibility in the future, but 'sufficient' to indicate with time and lots of continued daily exercise of the damaged arm, that more gradual improvement in range and extent of movement can occur over the next 18 months.

RECTAL WARTS AND ANAL BIOPSY RESULTS: Following the operation on my bottom a month ago and the removal of half of the present rectal warts for biopsy examination, I returned to see the Consultant at 'Airedale Hospital'on Thursday, March 21st. The consultant informed me that the biopsy revealed the warts to be 'pre-cancerous'; thereby necessitating the need to have all the remaining warts removed under a general anaesthetic operation, like the one I had last month, and half my bottom stitched closed again. Because my bottom hasn't fully healed from my previous operation on it yet, I cannot have the other essential operation for another two months or the pain after it would simply be unbearable and the proximity of both rectal operations would severely hinder full recovery. Another biopsy will be taken when the remaining warts are removed as an essential preventative measure and I will be monitored frequently for any return of cancerous signs over the years ahead. Overall, the mere fact 'that cancer is a possibility today' in my bottom instead of 'being a probability after my next operation' represents better news than initially feared. It looks like 'I will have a pain in the ass' over the whole of 1919, but that is a small price to pay if 'it stops me being a pain in the ass' during the remainder of the year!

FOREHEAD OPERATION FOLLOW UP OF HIGH-GRADE SKIN CANCER: On March 22nd, I returned to Leeds Infirmary where I had the stitches taken out of my head wound and skin graft area (performed under a general anaesthetic operation lasting almost two hours, six days earlier). The wound is in the process of healing nicely but will take months before my facial features are good enough to put on public display without frightening the horses and children. The Consultant spoke with me and indicated that she was 'quietly confident' that she had managed to excavate all the visible present cancer down to the bone. She said that she had removed an amount of cancerous tissue matter that was like a deadly iceberg and was the size of a larger than normal golf ball. She indicated that she wouldn't have the biopsy results back for another three weeks. These biopsy results will reveal if I require a number of courses of Radiotherapy over the spring and summer period, which she feels is highly probable. The consultant managed to operate on me without the need to sever the nerve that controls my eyebrow movements. However, the degree of cancer matter removed has left me with a 'Chinese eye' that will probably improve with time and a 4-inch gully/depression from forehead to below my eye (imagine a face whose forehead had been forcefully struck with an axe, years after the original wound has healed). That is how I presently look.

MY PRESENT MOOD AND FEELINGS: The past three days have probably been the most anxious and momentous that I have experienced since my terrible car accident left me fighting for life and unable to walk for three years when I was aged 11. It involved internalising mixed news and emotions that turned out to be 'far better than my worse fears' and 'no more than a person combatting three different types of cancer (one of them terminal but in temporary remission) and the other two (still to be fended off in the future) can reasonably expect.

My entire experience of the Wednesday, Thursday and Friday of this week can be best summed up in a song that the rock group 'Guns and Roses' sang, 'Sweet Child of Mine'.The mixed news I have received from various hospital consultants at three different hospitals have reminded me of the gun battles to come, along with the sweet roses to be smelled during all the good days of my life still remaining.

All of my life, I have felt blessed. I have also felt myself to be a 'Child of God', a 'Child of Mother Earth and Nature' and the oldest 'Child of my dear birth Mother'.

I am more than content with the overall news of the past three days pertaining to my recent operations, plus any operations and Radiotherapy treatment still to come. And like the closing words of the song 'Sweet Child of Mine', I frequently find myself asking my Maker 'Where do we go now?'

Love and peace Bill xxx
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Song For Today: 23rd March 2019

23/3/2019

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Today’s song is ‘The Birth of the Blues’. This song was composed in 1926 by Ray Henderson, with lyrics by Buddy G. DeSylva and Lew Brown. It was used in the Broadway revue ‘George White’s Scandals’ of 1926. It was recorded in its debut year by Paul Whiteman (with vocals by Jack Fulton, Charles Gaylord and Austin "Skin" Young), Harry Richman and ‘The Revellers’.

There was also an American musical film of the same name that the song was to inspire, starring Bing Crosby, Mary Martin and Brian Donlevy. The film was directed by Victor Schertzinger. The plot loosely follows the origins and breakthrough success of the ‘Original Dixieland Jazz Band’ in New Orleans. It was well received by critics on its release. It was nominated for an ‘Academy Award for Best Original Score’. 
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Although unusual for a young boy aged 11 years, I was introduced to Jazz and Blues more out of serendipity than choice during the year of 1954. Following a serious accident in my twelfth year of life, I was a patient in Batley Hospital (long since closed) for nine months. This lengthy period of hospitalisation was followed by a 2-3-year period of being housebound much of the time, being unable to walk.

For almost six of my nine months in 'Batley Hospital', both me and the man in the adjacent hospital bed were enforced neighbours, who under normal circumstances would never have shared the same ward. As my injuries were critical, I spent all my time in the hospital in the adult ward. I had damaged my spine and told by the doctor that I’d never walk again and he (Geoffrey) had broken his back and damaged his spine and was also told he’d never walk again.

Geoffrey had been a war camera/correspondent for fourteen years of his life and he had travelled the world and had made many famous contacts between 1940 and 1954. I’ll never forget being shown black and white photographs of dead, dying and mutilated bodies in various war zones he had covered. Apart from both of us having been told we’d never walk again, the other thing we each shared was our love of music and song. My preference was for the ballads of the day while Geoffrey loved nothing else but Jazz and the Blues. Over the following six months in adjacent hospital beds, this 11/12-year-old boy and the ex-war correspondent in his mid-forties became the closest of friends and struck up the most unusual combination of musical tastes.

We spoke mostly about music. During the hospital visiting hours, Geoffrey would occasionally be visited by people I didn’t know but whom I’d seen on the television on a Saturday night show we always watched together (after having persuaded the Ward Sister to place the only ward television at the bottom of our beds). I recall being introduced to these famous strangers whom I didn’t know very much about. They included Humphrey Lyttelton, Jonnie Dankworth and Cleo Laine. Writing this post reminds me that this was the first time that I was introduced in person to celebrities of the day.

Before I’d left the hospital, I had become a regular listener to all Jazz and Blues music and songs and had grown to love the sound. Geoffrey was eventually transferred to another hospital down south and nearer his home after six months, and apart from receiving a few letters from him initially, no further contact followed.

Having met his famous friends and hospital visitors in 1954 though, I naturally followed the ongoing careers of Lyttelton, Dankworth and Laine.

Humphrey Lyttelton was to finish up as a B.B.C broadcaster. As a broadcaster, he presented BBC Radio 2's ‘The Best of Jazz’ for forty years and hosted the comedy panel game ‘I’m sorry I Haven’t a Clue’ on Radio 4, becoming the UK's oldest panel game host. Cleo Laine became an international Jazz singer, pop singer and film actress, and was eventually made a D.B.E. She went on to marry Johnnie Dankworth who also became knighted.

These three celebrities were the first of a long line of famous names that I would meet over the next 64 years. For a few years after my hospital release, and being unable to walk, much of my time was spent at home listening to all styles of music and singing on the radio. It was during this period that I became more acquainted with the singing and music of Geoffrey’s famous friends, along with falling in love with the sounds and style of singers like Louis Armstrong, Fats Domino, Ella Fitzgerald. Sarah Vaughan, Lena Horne, Billie Holiday, and Ray Charles etc.

By my early twenties, whilst in Canada, I continued to follow the sound of the Blues although my taste was forever broadening to include pop, rock and roll, and country and western. I am so glad for having met my hospital companion so many years ago in Batley Hospital. Geoffrey won't be alive today but wherever his body rests, I dedicate this song to him in the fond remembrance of our six-month shared hospital experience. Thank you, Geoffrey, for sharing with that young boy in 1954, your love of jazz and the sound of the Blues.
Love and peace Bill xxx
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Song For Today: 22nd Mach 2019

22/3/2019

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Today’s song is ‘My Girl’. This song is soul music and was recorded by ‘The Temptations’ for the Gordy (Motown) record label. It was written and produced by members of the ‘Miracles’, Smokey Robinson and Ronald White. The song became ‘The Temptations' first U.S. number-one single and is today their signature song. Robinson's inspiration for writing this song was his wife, Miracles member, Claudette Rogers Robinson. In 2018, it was selected for preservation in the ‘National Recording Registry’ by the ‘Library of Congress’ as being ‘culturally, historically, or artistically significant.’ 

The recorded version of "My Girl" was the first single of the ‘Temptations’ to feature David Ruffin on lead vocals. Previously, Eddie Kendricks and Paul Williams had performed most of the group's lead vocals, and Ruffin had joined the group as a replacement for former ‘Temptation’, Elbridge Bryant. While on tour as part of a review, a collective tour for most of the Motown roster, Smokey Robinson caught the ‘Temptations' part of the show. The group had included a medley of soul standards in the show, one of which, ‘Under the Boardwalk’ by ‘The Drifters’, was a solo spot for Ruffin. Robinson was so impressed that he decided to produce a single, with Ruffin singing lead. Robinson saw Ruffin as a ‘sleeping giant’ in the group with a unique voice that was ‘mellow’ yet ‘gruff’. Robinson thought that if he could write just the perfect song for Ruffin's voice, then he could have a smash hit. The song was to be something that Ruffin could ‘belt out’ yet something that was also ‘melodic and sweet’.
After some persuasion from Ruffin's bandmates, Robinson had the Temptation’s record ‘My Girl’ instead of the ‘Miracles’ (who were originally intended to record the song) and recruited Ruffin to sing the lead vocals. According to Robinson, he allowed the group to create their own background vocals ‘because they were so great at background vocals’. 

‘My Girl’ reached number two in the ‘U.K. Singles Chart’. ‘My Girl’ climbed to the top of the U.S. pop charts after its Christmas 1964 release, making it the Temptations' first number-one hit. The single also gave the Gordy label its first number one on the ’Billboard Hot 100’. The ‘Temptations’ were the first Motown act to earn a Grammy. In 2004 and ‘My Girl’ was ranked Number 88 on Rolling Stone’s list of ‘The 500 Greatest Songs of All Time’. 

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When my life is reviewed, it will show three phases of my development from birth to grave. First, there was the brash, fearless, young Oliva-type boy whose light-fingered ways and charming rascal mannerisms was always getting him into trouble and scrapes with the law (between 5-13 years). 

Next came the more enlightened boy and young man who had developed a conscience and established a more cerebral and responsible way of life (I would read three and four books from cover to cover weekly). During this phase of life, I spent around a decade on self-improvement of my overall behaviour and personal life following a horrific accident at the age of nearly 12 years that almost killed me and left me unable to walk for three years. My accident and the many years of dedicated exercises thereafter (mental and physical) resulted in my gradual emergence of being too old for my years, too confident, too independent and too knowledgeable for my own boots. It was during this period I vowed to reform my life and ways. I became the youngest Youth Leader in Great Britain at the age of 18 years and I also was the youngest Trade Union shop Steward in Great Britain at the age of 18 years. 

At the age of 19 years, I was offered graduated entrance via trade union scholarship to ‘Ruskin College’ (the trade union fast-track for degree educated shop stewards) ‘Ruskin College’, originally known as ‘Ruskin Hall’ is an independent educational institution in Oxford, England. It is named after the essayist and social critic John Ruskin (1819–1900) and specialises in providing educational opportunities for adults with high-enough intellect but with few or no qualifications. The college is an affiliate of the University of Oxford; this relationship allows students special privileges such as attending lectures and the use of most facilities. 

The offer to become a trade-union graduate came at a time in my shop stewardship when the 200 men and women I represented at 'Harrison Gardener’s Dye Works' were pressing for increased wages. At the time, the workforce of this Victorian establishment had never been on strike since it had first opened over sixty years earlier. The upshot was that at that time in my life, my need to advance my education and trade union/political career was subsumed by my strong socialistic principles of advancing the worker's rights.I subsequently brought the workforce of 200 plus out on its very first strike (which attracted national press coverage) and because of the work commitment involved in the six-month wage negotiation of 6p an hour increase, I sacrificed a scholarship for the price of 6p an hour wage rise.

Prior to my accident, I had always been a clever boy at school and despite passing my Gramma School 11 plus with flying colours, I declined to go. At the age of 11 years, I was being taught in a class of 13-15-year-old pupils. 

During my period of hospitalisation between the ages of 12-13 years, a teacher from ‘St. Patricks Roman Catholic School’ arranged for me to be tested by Mensa and my score came back as 142. I'd long been aware that I didn’t think the same way as my peers and was interested in subjects far in advance of my age (politics, history, religion, eastern practices of transcendental meditation and pain-control methods of the mind). Another strong interest of mine that was to remain strong was of the more sexual, romantic and amorous kind; numerous relationships with older women than me. 

Also, I became interested in all manner of social care improvement; things that were most uncommon in an 18-year-old. For three years, I visited and befriended many of the dying residents in a ‘Cheshire Home’ establishment in Cleckheaton and I campaigned for many causes of social injustice. One of my attributes at the time was being a good singer, and I even toyed with the notion of becoming famous in this direction for a number of years. Around the age of 15 years, all my thieving stopped and was supplanted with romantic adventures and too many young man/older women relationships.

Phase three of my life occurred during my emigration period of two years in Canada and my first marriage (21-26 years of age). These were my ‘sensible years’ when I decided to devote the remainder of my life to doing good work for the Lord (whom I had promised when my life was miraculously spared at the age of 11 years). So, after advancing from Work’s Foreman to Mill Manager (23-26 years of age) following my return from Canada, I engaged in ordinary millwork for five years while I obtained ‘O’ and ‘A’ levels at night school as a man soon to be married. During these reforming years, I'd effectively turned my life around from ‘game poacher to gamekeeper’ and 'constant sinner to budding saint', as I prepared to enter a course in Newcastle-upon -Tyne to become a Probation Officer.

Over the next twenty-five years as a Probation Officer, I was to become one of the most prominent Relaxation Trainers in the country, a marital and bereavement counseller, a skilled group worker, a stress management consultant and the founder of ‘Anger Management’; a process/method that was to mushroom across the English speaking world after my codification of the process after 1972 (laying down specific ways to simplify the process for Workers to follow, so that effective progressional change in behaviour becomes easier to achieve,and that the positive changes achieved becomes reinforced and maintained long term). I had long believed that (like my own lifestyle and behaviour) there is little point changing anyone or anything for the better unless they/it stays changed. 

During this period, I operated 'Relaxation Training Courses' in Educational Establishments, Schools, Probation Offices, Hostels, Churches, Hospitals, Community Halls, Psychiatric Units and on courses for training Psychologists and Psychiatrists. I was also the person who introduced 'Relaxation Training Courses' into male and female Prisons in Great Britain, and during the 1980s, I was granted permission to teach 'Relaxation Training Courses' to Lifers in Newhall Women’s Prison in the Wakefield area.

Despite my philandering, wandering and wayward ways as a teenager and young man in my early twenties, whenever I did commit to a woman in later life after my return from a couple of years in Canada, my commitment was factually and emotionally honest, and total

Despite all of the good sides of my personality, my lifelong character flaw has been my unfailing attraction for a beautiful woman of independent mannerisms and mind and cultural lifestyle. The main difference between the first twenty-five years of my life and the last twenty-five years has been the ages of the women I have better related to. Whereas in my earlier years, I was always attracted to the older woman, in my later years of life, the younger woman has held more attraction for me. 

I know that it is no coincidence that my wife Sheila is 14 years my junior and can only be described as beautiful inside and out, independent, cultural, good through and through,l and fun to be with. From the first moment we met, I knew she was destined to become ‘My Girl’ before progressing to ‘My Lover’, then ‘My Wife’, ‘My Soulmate’, and ‘My main reason why I am still living’. She is each and all of these things to me; she is Sheila, 'My Girl’. 
Love and peace Bill xxx

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Song For Today: 21st March 2019

21/3/2019

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Today, in celebration of my late father’s 103rd birthday, I will sing the only two songs I ever heard him sing in his entire life: ‘When you were Sweet Sixteen’ (not to be confused with ‘Sweet Sixteen’) and ‘Some Enchanted Evening’.

I frequently heard dad whistle as most men did in the 1940s and 1950s. His favourite whistler was the great Ronnie Ronalde of world fame. Had my dad been alive today, it would have made him immensely proud to know that one of my first wedding presents when I married Sheila in 2012 was the latest CD and a signed biography from my friend Ronnie Ronalde, who sadly died in 2015. Ronnie was a British music hall singer and was regarded as being 'the world’s finest professional whistler' (‘If I was a Blackbird’ being his most popular singing and bird-whistling recorded song).

In the 1950’s it was usual for every male worker to whistle as they laboured in the mills and the town factories, down the pit, on the farm or doing whatever job they did. Apart from Librarians and Undertakers, it was considered customary for everyone to whistle while they worked. Indeed. I never once saw either a postman or a milkman doing their morning rounds without announcing their emerging presence with a whistling tune as they opened your gate and walked down your pathway towards your front door. My mother often told me of neighbours who would use the regularity of the postman and the milkman doing their morning rounds as alarm clocks and 'Knockers up'.

Indeed, between 23rd June 1940 and 29th September1967, one of the most popular radio programmes that workers would listen to in their workplace was ‘Whistle While You Work’. The radio programme was even transmitted twice daily on the B.B.C. and national listening by the nation's workforce seemed mandatory.

Back to my father. The only occasion my father would sing would be when he bathed. Me and my sisters Mary and Eileen would listen outside the bathroom, and as dad sang, we tittered away, pulling faces at him behind the door and calling him ‘Silly old sausage’ in a whispered tone of voice. Such was one of the few ways we children could ever ‘get one up' on bossy adults.

In 1981, ‘The Fureys’ released their most successful single ‘When you were Sweet Sixteen’. It instantly became a worldwide hit, reaching Number 14 on the’U.K. Singles Chart’. Although my father had been acquainted with this song all his life, the Furies recording of the song was his favourite version. The song was written by James Thornton and was published in 1898, almost thirty years before my dad was born. The song had been a huge hit song in Vaudeville. It has a long recording history that includes numerous popular singers. It has long been considered a standard of barbershop quartets over the past century.

‘When You Were Sweet Sixteen’ was inspired by Thornton's wife, Bonnie. When she asked her husband if he still loved her, Thornton replied, "I love you like I did when you were sweet sixteen." Bonnie Thornton, a popular vaudeville singer who sang many of her husband's compositions, introduced the song in her act. The lyrics of ‘When you were sweet sixteen’ are typical of the sentimental ballads of the 1890s. The form is known as, ‘strophic’, comprising of two verses and a chorus. The song sold over one million copies of sheet music during its earlier years.

The second song I sing today in celebration of my late father’s posthumous birthday is ‘Some Enchanted Evening’; a show tune from the 1949 Rodgers and Hammerstein musical ‘South Pacific’. This was one of the few non-cowboy or religious films dad ever saw.

This song was ‘the single biggest popular hit to come out of any Rodgers and Hammerstein show’. It is a three-verse solo for the leading male character, Emile, in which he describes seeing a stranger, yearning and knowing that he will see her again, and dreaming of her laughter. He sings that when you find your 'true love', you must 'fly to her side and make her your own’.

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Today would have been my dear father’s 103rd birthday. He died aged 75 years in 1991. Dad was neither singer nor scholar and was brought up in circumstances of extreme poverty in County Kilkenny, Ireland. He was taken out of formal schooling at the age of 12 years and became a full-time worker to support the family household..

His characteristics and qualities as a man left much to be admired in some areas of his life while being nothing short of remarkable in other areas. In short; I'd have to accurately describe his character makeup as having two distinct sides, and where public and private display varied in marked contradiction. Dad was always a strict Roman Catholic and disciplinarian, and once he decided upon something, he never changed his mind (even when he was wrong). His religious beliefs led him not to attend my second wedding; an action he regretted and apologised to me for ten years after the event. Like his favourite film star, John Wayne, my father falsely believed that 'to change one's mind' or 'apologise' was evidence of indecisiveness and weakness of character. He could lose his temper whenever crossed by either wife or child but was seen in public by every neighbour as being a hard worker, a good father and an honest husband. He was viewed by everyone who knew him as being a man who could be trusted implicitly; someone who was never known to break his word once given.

Dad was a proud yet humble man who never boasted or tried to big himself up. During his early twenties and after I was born, my father played soccer for his home County of Kilkenny before going on to play for the Irish National Football Squad. I was ten years of age before I ever found out, as he never said anything about his past. I only discovered his international football past after he had gone back to County Kilkenny during the early 1950s on one of his rare visits back home to the city where he was born. According to the Kilkenny News (a copy that was sent back to my mother in England by a family member who lived in Kilkenny), when my father embarked from the train that pulled into the 'Kilkenny Railway Station', having gotten wind of his proposed home visit, the city dignitaries and local press decided to give him a surprise hero's 'welcome home'. As dad alighted from the train, he was met by the striking up of a brass band that was there on the station platform to greet their ‘Quiet Man’ and home-grown footballer of the late 30s and early 40s. According to the Irish press, the brass band marched him uptown, where he intended to spend a few weeks with some old friends he regarded as family. Dad returned home after his Irish break but never said anything of the city welcome he had received until my mother showed him the newspaper-cutting she’d been sent in his absence.

Other occasions that stuck in my memory that marked my father out as being far from the simple and ordinary man he made himself out to be, must include his attitude to work and always doing whatever was necessary providing for his large family. His dedication to his perceived duty as a husband and father included working a second job often, working overtime always and working through his paid holiday period as a general rule, so that mum could take herself and children away to the seaside for a week.

There were seven children in our household and we never had a spare penny over from one week to the next. However much overtime dad worked down the pit, it was never enough and this week's family food and provisions would be obtained on 'the tick' from the local grocer (Harry Hodgson, God bless him) by my father's 'next week's wages'.

There was a time when I was aged 7-8 years when the colliery where dad worked went on strike for three weeks. Being a father of a large family, my father refused to strike and was the only man to cross the picket line. Afterwards, when I pulled him up on this behaviour (following me being made the youngest trade union shop steward in Great Britain at the age of 18 years), he replied," Billy, principles are the privilege of the rich! Putting bread on the table for my wife and children will always be my priority before pleasing my workmates". I suppose that it was a mark of the respect his working colleagues afforded him both before and after the strike that allowed him ‘never to be sent to Coventry’, except for one or two other work colleagues.

During the last ten years of his life, although not a gardener, dad loved cutting the lawn by a manual mower, and he would daily cycle the four miles return journey from Liversedge to Cleckheaton Catholic Church spending the afternoon mowing the lawn area around the church grounds and tidying up. When it was finished, the grass area looked as though it had undergone a manicure. Part of dad's excessive workmanship in mowing the church lawns was 'pride in his work' and the remaining reason was 'trying to better another man who cut the church lawn at Heckmondwike's Catholic Church'. I cannot prove it, but I strongly suspect that both Catholic Church lawn cutters were so competitive that they secretly checked on the quality of each other's labour.

Wherever you are Dad, you remain loved by your eldest child and the other six children you and mum brought into the world. It would please me immeasurably to think that God allows you time off from mowing the heavenly lawns, so that you may look down on your eldest son today and be able to hear me sing your two favourite songs. Forgive the emotion in my voice and the tears in my eyes, Dad, whenever I sing these two songs. All of your children love you and if you could look down on them today, you would be so proud to be their father. Happy heavenly birthday, Dad. Love Billy, Mary, Eileen, Patrick, Peter, Michael and Susan. xxxxxxx

Love and peace Bill xxx

https://youtu.be/l5mrZO3LmmM

https://youtu.be/9YXJBZWRbFc
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Song For Today: 20th March 2019

20/3/2019

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Today’s song is ‘Poison Ivy’. This is a popular song by American songwriting duo Jerry Leiber and Mike Stoller. It was originally recorded by ‘The Coasters’ in 1959. It went to reach Number 1 on the R&B chart and Number 7 on the ‘Billboard Hot 100’ Chart’ and reached Number 15 in the United Kingdom. This was their third top-ten hit of that year following ‘Charlie Brown’ and ‘Along Came Jones’.

The song discusses a girl known as ‘Poison Ivy’. She is compared to measles, mumps, chickenpox, the common cold, and whooping cough; but is deemed worse, because ‘Poison Ivy, Lord, will make you itch’. According to lyricist Jerry Leiber, "Pure and simple, 'Poison Ivy' is a metaphor for a sexually transmitted disease".

The song has been covered by numerous artists such as ‘The Dave Clark Five’: ‘The Rolling Stones’: ‘The Hollies’: ‘Manfred Mann’: ‘Linda McCartney’ and many others.
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It is appropriate this morning as I attend hospital for nerve conductive tests on my dislocated shoulder that a recent operation four months ago was unable to make right, that I examine several health remedies of my past. I refer not to the more serious ones but rather to those methods that my mother and her mother and grandmother before her swore by to deal with in the home instead of taking their child to the doctor’s surgery.

This song reminds me of all my mother’s potions that she used to give all her children when we were young and returned home with itchy skin, burning sensations, cuts and all manner of everyday scrapes that children got in the rough and tumble of playing out on the streets, going on adventures in the woods and the meadows, and rolling in the grass and God only knows elsewhere.

‘THE NETTLE REMEDY’ was often used to take away unwanted pain. This was a very clever method that was explained to my mother by a peg-selling Romany in 1936, which used the sophistication of human psychology. It involved ‘tricking the mind by giving it something else to worry about’. My mum would remove the first lot of pain from my mind instantly, by inflicting a greater amount of pain on the body to cope with. She did this by rubbing my bruised and bloodied legs with bunches of stinging nettles. She used to tell me, “Billy, cry as long and as hard as you want to! The louder you cry, the quicker the pain will go!” And do you know what? It always worked! By the time my voice was hoarse with crying, the pain had mysteriously vanished.

‘THE CALAMINE LOTION WIZARD'S POTION' was a remedy to irradicate itching and it was imparted to my mother by a one-eyed butcher from County Cork. Upon hearing of the remedy my mother asked the butcher, “How much do I need to dab on his skin to take away his itches?” The butcher replied, “Don’t dab, woman, just pour the entire bottle all over his body and after rubbing it in thoroughly, let him keep it on overnight before you scrub it off him the following morning”. The words in the song that refers to ‘an ocean of Calamine lotion’ reminds me of these days.

'THE SQUEEZING BLACKHEAD REMEDY' from one’s face was a practice that mothers with the longest and sharpest of fingernails could perform with ease. Indeed, I often felt that my mother performed this task with the pleasure of a smiling sadist lancing a boil or squeezing out the last bit of pus hiding beneath the skin surface of their spotty adolescent child.

A Blackhead (blocked sweat) is a sebaceous duct of skin known medically as an ‘open comedo’. The medical dictionary defines a ‘comedo’ as being a clogged hair follicle (pore) in the skin, whereby Keratin (skin debris) combines with oil to block the follicle. A 'comedo' can be open (Blackhead) or closed by skin (Whitehead) and occur with or without acne. Blackheads are more common in the adolescent during puberty when oil production in the sebaceous glands increases. Oxidation rather than poor hygiene or dirt causes Blackheads to be black. Washing or scrubbing the skin too much could make it worse, by irritating the skin. Touching and picking at comedones might cause irritation and spread infection. They may have been the smallest of things, but they jolly well hurt to excavate from one’s skin.

As my mother squeezed with all her might and her nails buried themselves beneath the base of the Blackhead in my skin surface, she would be humming or singing some Irish song as she excavated the offending skin duct that was embedded deep within my adolescent face. Meanwhile, I would be crying out in pain and anguish.

'THE LANCING OF BOILS REMEDY' was frequently employed during the less hygienic and health conscious period of the 1940s and 1950s. There were two methods that my mum applied to this situation, and it was largely dependent on the size of the boil and the amount of pus it harboured. If the boil was a large one and contained an amount of pus that would fill an egg cup, my mother would get out her special knife from dad’s shed. This was the smallest and sharpest knife in the house which she used exclusively for peeling the skin off potatoes and turnips, slicing through tripe and cutting off the ears and nose of a pig’s head before putting in the cooking pot to simmer on the boil for ten hours or more. She also used this special knife for the lancing of boils of course!

But far, worse was the second method my mother used for dealing with boils. Only the bravest of the brave would take this course of preferred treatment, but if ‘the knife’ was being used elsewhere, alternative means of getting rid of the boil would be required. The method involved a bandage, a large bowl, a boiling kettle of water and a third of a loaf of sliced bread.

Mum would boil up the water as she crumbled the sliced bread into chunky pieces before placing in the bowl. Next, she would pour the boiling hot water over the bread and mush it up with a spoon. Then, using gloves to prevent her own hands getting burnt, she would spread the steaming hot bread poultice on the bandage with a blunt kitchen knife, and before you knew what was coming next, mum would have slapped the red-hot poultice over the boil. As you jumped out of your seat and screamed to high heaven, mum would quickly have wrapped the bandage tight around the area of the boil. One would then have to sleep overnight in the poultice, and in the morning, the bread would be caked to the skin and as hard as cement. After picking off the congealed bread slices, the boil would no longer be there. It would itch terribly of course after it had been scraped off one’s body, but there was always the Calamine Lotion to revert to if the itch was too irksome to tolerate.

'THE CARBOLIC SOAP EXPERIENCE' was something that stayed with one long after first application and use. Each time a child of poorer households washed or bathed, we were made to scrub our hands and body with ‘carbolic soap’. One could always distinguish the poorer child to his better off classmate; not by how clean they were but how cheaply they stank when you stood next door to them. Whenever one used carbolic soap to wash oneself, the stench of the odour would linger until one’s body was covered in muck and grime again. Such an odour remained so strong to the ‘nostrils of shame’ that it was entirely possible to store and reproduce in one’s memory many years after using on one’s skin.

I have often wondered where we would have been without the potions and lotions of the white witches, the peg-selling gipsies, the one-eyed butchers from County Cork and old wives’ recipes? I’m still here though, and although it was 70 years ago when I was last washed and scrubbed with carbolic soap, I swear I can still smell its presence! The one thing thankfully that was never used on me by my mother as a healing agent was ‘poison ivy’.

Love and peace Bill xxx
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Song For Today: 19th March 2019

19/3/2019

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Today’s song is ‘Ring of Fire’. The song was written by June Carter Cash and Merle Kilgore. It was recorded by the Carter family in 1962 and by Johnnie Cash in 1963. The song was originally recorded by June Carter’s sister, Anita Carter and was ranked as Number 4 on CMT’S ‘100 Greatest Songs of Country Music’ in 2003 and was Number 87 on the Rolling Stone’s list of ‘The 500 Greatest Songs of All Time’. In June 2014, Rolling Stone ranked the song Number 27 on its list of ‘The 100 Greatest Country Songs of All Time’.

The song was recorded on March 25,1963 and became one of the biggest hits of Cash's career, staying at number one on the country chart for seven weeks. It was certified Gold on January 21, 2010, by the RIAA and has also sold over 1.2 million digital downloads

Although "Ring of Fire" sounds ominous, the term refers to ‘falling in love’; which is what June Carter was experiencing with Johnny Cash at the time. Some sources claim that Carter had seen the phrase ‘Love is like a burning ring of fire,’ underlined in one of her uncle’s Elizabethan books of poetry. She worked with Kilgore on writing a song inspired by this phrase as she had seen her uncle do in the past. She had written: "There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns".

Cash's first wife, Vivian Liberto, offered a different conception of ‘Ring of Fire’ in her book ‘I Walked the Line’. She contended that June Carter Cash was not a co-writer of the song: "To this day, it confounds me to hear the elaborate details June told of writing that song for Johnny. She didn't write that song any more than I did. The truth is, Johnny wrote that song, while pilled up and drunk, about a certain private female body part. All those years of her claiming she wrote it herself, and she probably never knew what the song was really about." Liberto claimed that Cash decided to give Carter co-writer status because ‘She needed the money’.

After hearing Anita's version, Cash claimed he had a dream where he heard the song accompanied by ‘Mexican horns’. Cash stated, "I'll give you about five or six more months, and if you don't hit with it, I'm gonna record it the way I feel it." Cash noted that adding trumpets was a change to his basic sound. When the song failed to become a major hit for Anita, Cash recorded it his own way, adding the horns from his dream. 
Cash's daughter Rosanne has stated, "The song is about the transformative power of love and that's what it has always meant to me and that's what it will always mean to the Cash children." 

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I am less of a believer in coincidences than a disciple in macro/micro reproductive systems. I cannot consider it merely ‘coincidental’ that the rotation and cycles of the earth, moon and all the planets directly affect the lives of man and woman, and are often mirrored in some form, thereby creating a link between the Creation and Life on Earth. There are patterns in the galactic system which are replicated patterns on the earth below.

Because of three successive important hospital visits, I have this Wednesday, Thursday and Friday, I occasionally feel my body passing through an eternal 'Ring of Fire.'

Geographically, ‘The Ring of Fire’ is a major area in the basin of the Pacific Ocean where many earthquakes and volcanic eruptions occur. In a large 40,000 km (25,000 miles) horseshoe shape, it is associated with a nearly continuous series of oceanic trenches, volcanic arcs, and volcanic belts and plate movements. It has 452 volcanoes (more than 75% of the world's active and dormant volcanoes). It is said that about 90% of all major volcanoes in the world are here. ‘The Ring of Fire’ is sometimes called the circum-Pacific Belt.

I would like to stretch my vivid imagination and see a relationship between the horseshoe-shape of ‘The Ring of Fire’ and the shape of the female reproductive organs, and make an intergalactic connection between the birth of the stars in the heavens and the birth of a new-born infant on Earth; along with the stars in the lovestruck eyes of man and woman ‘on fire’ with the overwhelming passion and temptation of the flesh to consume all.

Love and peace Bill xxx
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Song For Today: 18th March 2019

18/3/2019

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Today’s song is ‘Fernando’; a song by the Swedish pop group ABBA. It was the group's first non-album single and was released in March 1976 through ‘Polar Music’. The track was featured on the 1976 compilation album ‘Greatest Hits’ in most countries but was included on the group's fourth studio album ‘Arrival’ in Australia and New Zealand. ‘Fernando’ is also featured on the multi-million selling ‘Gold: Greatest Hits’ compilation. The song is one of ABBA's best-selling singles of all time, with six million copies sold in 1976 alone. It is one of fewer than forty all-time singles to have sold 10 million (or more) physical copies worldwide, making it one of the best-selling singles of all time.
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I racked my brain today to make some connection from my personal life with this song choice apart from the fact that I like the song and its musical construction. I have never known anyone, or anything named ‘Fernando’, never eaten or drunk anything called ‘Fernando’, have never visited any place called 'Fernando', and have never dreamed of a ‘Fernando’ or awoke from a nightmare screaming out ’Fernando, take your hands from around my throat instantly! I never knew the woman was your senora before I kissed her! She made out she was up for it when she asked me back to her flat, I swear!’

My exploration of Wikipedia informs me that 'Fernando' is a Germanic name that means ‘Brave Traveller’. Unless I can lay claim to being in this category of wanderer I haven’t a clue of any personal association with the song. I Like it immensely though!

Love and peace Bill xxx
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Song For Today: 17th March 2019

17/3/2019

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(THE MORE OBSERVANT OF YOU WILL HAVE OFTEN NOTICED ME OVER THE PAST SIX MONTHS CLOSING ONE OR BOTH EYES AS I SING. THE REASON IS THAT THE CANCER THAT HAS BEEN INSIDE MY HEAD FOR THE PAST TWO YEARS FREQUENTLY FLARED UP AND PAINED ME SIGNIFICANTLY. WHENEVER THIS OCCURRED, IT WAS VERY HARD TO CONCENTRATE WITHOUT CLOSING ONE OR BOTH EYES. OVER THE PAST YEAR, I HAVE BUILT UP A RESERVE OF SIX MONTH'S SONGS AND WILL BE USING THESE SONGS DAILY WHILE MY FACE IS DISFIGURED FOLLOWING MY RECENT SKIN CANCER OPERATION)

Today’s song is ‘I Believe I Can Fly’, a 1996 song written and performed by American singer R. Kelly from the soundtrack to the 1996 film ‘Space Jam’. It was originally released on November 26, 1996, and was later included on Kelly's 1998 album, ’R’.

In early 1997, "I Believe I Can Fly" reached number two on the ‘Billboard Hot 100’. It was kept from the number one spot by Toni Braxton’s ‘UN-Break My Heart’. Although Kelly has had two number one songs on the pop chart, "I Believe I Can Fly" is his most successful single. "I Believe I Can Fly" also topped the charts in eight countries (including the United Kingdom), has won three ‘Grammy Awards’, and was ranked number 406 on Rolling Stones list of ‘The 500 Greatest Songs of all time’ in 20O4.
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As a young boy I was brought reading the ‘Dandy’ and the ‘Beano’, before moving on to ‘The Hotspur’ which had my favourite football character, ‘Roy of the Rovers’; before finally settling with the air pilot and adventurer, ‘Biggles’. There were 100 publications of Biggles books by W.E.Johns (1893-1968) and I must have read every one of them from the mobile library. I decided to become an air pilot at the age of seven; being determined to fly to foreign lands.

By 9 years of age, my hero had changed from ‘Biggles’ to ‘Superman’ and I then became determined to fly by self-propulsion. At the time our family had just moved to a brand-new council estate called ‘Windybank Estate’. Being one of the earliest tenants to move onto the council estate, there was the building of a further hundred houses still to complete the day we moved in. The project went on for over a year, and after 5.00 pm after the builders had gone home, all the gangs from Windybank would play inside the partly-constructed houses until bedtime or until a Bobby on his bicycle saw us and chased us off the site. The partly-built houses invariably had six-feet-high hills of sand outside and a popular daring game was to perch one’s body in an upstairs window and fly into the sand below, doing a belly-flop landing. Many a boy was knocked unconscious and areas of the body that produced the most breaks were ribs, arms and legs. By the age of 10 years, I had decided that man wasn’t meant to fly unaided; that was for the birds.

Life went by and I was aged 22 years when I called in to see ‘The New York World Fair’ in 1965. I’d never imagined an area so large and spectacular to human senses. The immense fair covered 646 acres on parkland, surrounded by numerous pools, water fountains, and an amusement park with hundreds of daring rides. The fair's theme was ‘Peace Through Understanding’, dedicated to ‘Man's Achievement on a Shrinking Globe in an Expanding Universe’

The fair was noted as a showcase of mid-20th-century American culture and technology. One of the most prestigious parts was the ‘Space Age’ section with its vista of promise, along with a man dressed in space gear flying hundreds of feet vertical in the air like a helicopter, being propelled by rockets flashing from his feet area. Here was my Superman, still not flying under his own steam but nevertheless, not breaking his ribs, arms and legs in the process!

The very first time I flew, it was in a jet from New York to Shannon in County Clare in southern Ireland. I was returning to England from my two-year stay in Canada and wanted to see Ireland, my birthland before flying back to West Yorkshire. Being my first time in a plane and not knowing if I’d ever be in one again, I treated myself to a first-class flight. I shall never forget the beautiful shades of colour patterns that permeated the kaleidoscopic sky as we moved into the dawn of someone else’s new day, and the absolute absence of noise and turbulence as this jet weighing tons seemed to move through the atmosphere effortlessly.

My flight from Dublin back to Yeadon Airport in West Yorkshire was a journey that certainly brought me back to earth with a bump! It was like flying in a rusty old leaking pail that coughed, choked, rocked, rolled and threatened to bring back up the Irish stew I had for dinner before I boarded the ‘Irish flying bucket’. Living on the American side of the Atlantic had thoroughly spoiled me in my tastes and newfound standards during my two-year stay.

The next time I flew, I was twenty-four and the flight was a thirty-minute journey around the Blackpool skies. I recall it costing half a week’s wages at the time for me and the young woman I was dating, and whilst an enjoyable experience, I felt afterwards that I’d have been better saving my money towards the boarding-house expenditure of a newly married couple on their pretend honeymoon wearing matching Marks and Sparks wedding rings.
I had very little more to do with flying apart from a couple of visits to Paris with another girlfriend who became my wife at the age of 26 years old. She should have been an actress on the stage; she certainly had me fooled as she started to transmogrify from the black-haired beauty (I was engaged to for five years ) to the vampire wife, Lily Munster from ‘The Munsters’ television sitcom.

My brush with the airways came back into play during my late sixties when I met my wife, Sheila. When I first moved in with her, it took me ages to figure out why she always spoke with her hands and pointed fingers whenever directing me which way to go or what to do. We’d been together a year before she revealed she’d been an air hostess for seven years in her early twenties. Suddenly, things started to make sense and it was no longer a surprise that she looked a good 15 years younger than her actual age. I entertained instant images of her stood astride the aisle of the aircraft, waving her arms back and forth and her hips side-to-side as she does in her Yoga class today. She would certainly have the looks to take all admiring male eyes off any thought of ever crashing mid-flight.

My last experience flying was on my way to and back from a holiday in Crete when Sheila and I visited there in 2016. My blood cancer and the absence of an effective immune system was aggravated by the recycled air in the plane. It gave me a bug and I spent the four days prior to flying home in bed followed by a lengthy illness. I can now say in all honesty that I will never take to the skies again.

When I was young, ‘I believed I could fly’. As I grew older, I knew I could walk and run long distances, until an accident at the age of 11 years which stopped me walking for three years. In later life my walking mobility worsened and today if I am in town and need to walk more than a hundred yards, I simply sit in my wheelchair while my own private air hostess (who still has the looks of one, despite her 62 years of age) takes off whether or not I have my seat belt fastened. Happy St. Patrick’s Day everyone.

Love and peace Bill xxx
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Song For Today: 16th March 2019

16/3/2019

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Today’s song is ‘Tell Laura I Love Her’. This is a teenage tragedy song that was written by Jeff Barry and Ben Raleigh. The song was an American Top Ten popular musical hit for singer Ray Peterson in 1960. It reached Number 7 on the ‘U.S. Billboard Hot 100 Chart’. Later that same year, the song was recorded and released by Ricky Valance in the United Kingdom where it went all the way to the Number 1 spot on the U.K. Singles Chart’. ‘Tell Laura I Love Her’ has been a hit in 14 countries, and has sold over seven million copies.

‘Tell Laura I Love Her’ is the tragic story of a teenage boy named Tommy who is desperately in love with a girl named Laura. Although they are only teenagers, he wants to marry her, so he enters a stock car race, hoping to win, and use the prize money to buy Laura a wedding ring. The second verse tells how the boy's car overturned and burst into flames; though no-one knows how it happened. Tommy is fatally injured, and his last words are "Tell Laura I love her... My love for her will never die." In the final verse, Laura prays inside the chapel, where she can still hear Tommy's voice intoning the title one more time before it fades out.

The recording history reveals that the lyrics of ‘Tell Laura I Love Her’ originally concerned a rodeo, not an automobile race, as composer Jeff Barry was an aficionado of cowboy culture. 

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I dedicate my song today to my niece, Alex, who is the only daughter of my sister Mary. It is Alex’s birthday today and we wish her all the happiness and peace in the world. Alex is one of the most independent women I know and is a devoted and loving daughter to her mother.

When my sisters Mary, Eileen and I were growing up together, 'Tell Laura I love her' was one of my sister Mary’s favourite songs. The song was often used to have a laugh at my expense. I dated many girls when I was in my late teens and would change girlfriends as often as I changed my shirt. I usually went out with a girl for a few weeks before getting fed up and moving to a fresh hunting ground. If ever I dated a girl for a month, my mother and two oldest sisters, Mary and Eileen, would tease me endlessly.

At the time, one of the new record releases was 'Tell Laura I love her' and every time I went out the door on a date, my mother and sisters Mary and Eileen would stand by the front door and sing out loud and clear, 'Tell ......I love her'; inserting the name of the girl I was currently dating instead of that of 'Laura'.

Indeed, during my late teens, my sisters Mary and Eileen were so jealous of my dating successes and freedom to galavant off every Friday night and not show my face at home again until Sunday (with no parental questions asked), that the would do almost anything to take me down a peg or two. It wasn't beyond their scheming imagination to ruin a good night out for me if they could. I might have a date (which I never told them who with), but if they found out, they'd tell the young woman that I was ill and couldn't meet her that evening as planned or give her some other cock and bull story like I was out that evening with another girl and had obviously planned to stand her up. Then, as I waited for my date that didn't show. my two sisters would be nearby spying at my reaction. I would always give the new date the standard five-minute leeway to show in case they'd broken their leg running, before writing them off my list as a time waster! As I walked away, believing that I was the one who'd been stood up, my two spoiling sisters would be having a big laugh nearby at my expense. I think it was the times they resented which allowed teenage boys more leeway than young women in all manner of things.

However, I do now suspect that my sisters truly believed that they'd been born and placed on this earth with the sole purpose of ruining my happiness, particularly where my love life and romantic exploits were concerned.

So, this song is, therefore, a fitting choice for dedication to my sister Mary's only daughter. Please accept this vocal token of an uncle’s loving affection. Have a super birthday, Alex. Love Uncle Billy and Sheila xxx

Love and peace Bill xxx
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Song For Today: 15th March 2019

15/3/2019

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Today’s song is almost 100 years old and was first released in 1924. ‘I’ll See You in my Dreams’ was written by Isham Jones with lyrics by Gus Khan. Originally recorded by Isham Jones and the ‘Ray Miller Orchestra, it charted for 16 weeks during 1925, spending seven weeks at Number 1 in the U.S. Other popular versions in 1925 were by Marion Harris, Paul Whiteman, Ford and Glenn; and Lewis James; with three of these four reaching the ‘Top 10’. I bet you didn’t even realise that there were ‘charts’ and ‘Top Ten Lists’ 95 years ago!

The song was chosen as the title song of the 1951 film ‘I’ll See You in my Dreams’; a musical biography of Kahn. Popular recordings of it were made by many leading artists including Louis Armstrong, Bing Crosby, Doris Day, Ella Fitzgerald, Mario Lanza, Tony Martin, The Platters, Andy Williams, Eddie Cochran, Pat Boon, Joe Brown, and (wait for it), even Jerry Lee Lewis!

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The singer Joe Brown has made this song his signature tune over the years and I recently saw a television interview with him when he told the presenter that every performance he carries out across the land always witnesses the audience yelling out for Joe to sing this song. Joe said,” I don’t seem able to settle them down until I’ve sung this favourite number of theirs”.

Over my lifetime I have always dreamed in a way that has led to the dream remaining in my mind each time I wake up. My imagination has always been vivid, but I can say that I managed to make my dreams work for me in the past thirty years.

As a young child of the 1940s, most children visited the Picture House (known as the cinema today) every Saturday morning matinee. Although it was only a few pence entrance fee which most paid, many of us would nip to the toilet and open the fire escape door to admit three or four of our friends free of charge. It was a common sight then to see one boy go to the toilets during the film and five minutes later, four or five boys come out of the toilets. The saved money would then be used to buy ice cream wafers during the intermission to share out. Every Saturday night I would dream of the Cowboy and Indian film I’d seen that morning. The dream would be so lifelike that I’d frequently wake up in a nightmare with a Sioux arrow through my throat. Sometimes though, I would free the beautiful woman tied to the stake and fight my way out of the Sioux village followed by screaming warriors showering me with a rain of arrows.

As I moved into my teens and I started to lie about my age and sneak into ‘X-rated’ films, I still dreamt vividly during my sleep. However, my dreams had now changed in content and were of the more romantic and seductive type. I no longer woke up in a fright stranded in a desert, soaking in intense sweat and dying of thirst. Instead of waking up from my Cowboy or Indian character as an imaginative eight-year-old, gasping for water in the dry, dry desert, my new 15-year-old dreams were more in keeping with a testosterone driven teenager and were invariably of the wetter and warmer variety.

Between the ages of twenty-nine and sixty, I operated as one of the country’s leading Relaxation Trainers, and during the hundreds of groups I managed over the years, I used imagery in my relaxation scenes to help trainees reduce their tension and stress levels. 

In 1989 I started writing books for children and had well over fifty books published between 1990-2002. Over £200,000 was given to charitable causes from the sale profits of these books. All future book sale profits go to charitable causes in perpetuity. Over 800 famous names and local, national and international celebrities from film, stage, screen, sport, church, politics and royalty read from my books to school children in Yorkshire libraries and schools. Naturally, such publicity and almost daily association with big names made me a large fish in the small Pond of West Yorkshire. So much mention in the press and media brought me to the attention of several very famous people who personally contacted me; the late Princess Diana and the late President of South Africa, Nelson Mandela.

After I had written my first three books and had them published, they became so popular that the late Princess Diana called me personally at home and requested that I send her two copies of my children’s books, ‘Douglas the Dragon’ and ‘Sleezy the Fox’ to read to the 7 years and  9-year-old Princes Harry and William at their bedtime. It is nice to know that two of my children’s stories probably helped the two princes to get off to sleep and dream of the main characters in my books, especially one who will become a future King of England.

‘Douglas the Dragon’ and ‘Sleezy the Fox’ is available in either e-book format or paper back copy from www.smashwords.com or www.amazon.com  or www.lulu.com 
Around the New Millennium, ‘dreams’ were to become a prominent feature in my life again. I had become an established children’s author by 1990, and by 2000, I’d had over fifty of my children’s books published and had raised a considerable amount of money for charity through their sales. I recall writing a book that the late Nelson Mandela read, and then personally phoned me at my home address (via a Home Office link) me to congratulate me on the three African stories I had incorporated in ‘Afro-Indian Dreams Trilogy’. Mandela described the trilogy of stories as being ‘wonderful’. The relevance of this story is that all three stories relied heavily on the dreams of their main characters.

Following this literary praise from Nelson Mandela which was broadcast as a brief feature news item on ‘News 24’, I finished up spending three years working in conjunction with the ‘Minister of Education and Youth Culture in Jamaica’. I also worked in close liaison with the Custos (Mayor) of Trelawney, writing another couple of books that were placed on the Jamaican curriculum and which were sold to raise over £10,000 for much-needed educational funds for the thirty-two poorest schools in Trelawny, Jamaica (the old slave capital). I also established a ‘Transatlantic Pen-Pal Project’ between sixty-four schools (32 Jamaican schools and 32 Yorkshire schools). This project witnessed 32 Jamaican schools of black pupils write monthly to a pen pal in one of 32 Yorkshire schools of predominant white pupils. The purpose of the project was to acquaint all 64 schools with the different cultures and thereby reduce the likelihood of racial prejudice being practised by either black or white pupils in the future.

‘Afro-Indian Dreams Trilogy’ is available in either e-book format or paper back copy from www.smashwords.com or www.amazon.com  or www.lulu.com  with all book-sale profit going to charitable cause in perpetuity. The book is for any child aged 10 years and over, or any adult. The tree stories in the book are about Africa, India and Jamaica. I would highly recommend this book.

So, you see, dreams have always played a significant role in my life from childhood to adult to old man. Until the next post, ‘I’ll see you in my dreams’.

I dedicate my song today to the best neighbours a couple could ever have; Brian and Veronica Morehouse. Over the past three or more years, Brian has been so helpful in loaning his muscle to my lovely wife Sheila at our allotment whenever tasks have arisen that my health condition prevents me from being able to safely do. And whenever Veronica visits her husband’s allotment during the warmer spring and summer months, she always pops into our allotment nearby for a chatter. Brian kindly gave Sheila a lovely ukulele many months ago to practise playing on. If you listen to the background of my song today, Brian and Veronica, you will be able to discern how well she is doing! If she carries on like this, she will soon be joining me daily. 
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Love and peace. Bill xxx





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Song For Today: 14th March 2019

14/3/2019

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March 14th
Today’s song is ‘You’ll Never Walk Alone’ which was recorded by ‘Gerry and the Pacemakers’. This song is a show tune from the 1945 Rodgers and Hammerstein musical, ‘Carousel’. In the second act of the musical, Nettie Fowler, the cousin of the protagonist Julie Jordan, sings ‘You'll Never Walk Alone’ to comfort and encourage Julie when her husband, Billy Bigelow, the male lead, falls on his knife and dies after a failed robbery attempt. The song is repeated in the final scene to encourage a graduation class of which Louise (Billy and Julie's daughter) is a member. The now invisible Billy, who has been granted the chance to return to Earth for one day in order to redeem himself, watches the ceremony and is able to silently motivate the unhappy Louise to join in the song.

The song is also sung at association football clubs around the world, where it is performed by a massed chorus of supporters on matchday; this tradition began at ‘Liverpool Football Club’ after the chart success of the 1963 single of the song by the local Liverpool group, ‘Gerry and the Pacemakers’.

The song has been recorded by many artists, with notable hit versions made by Roy Hamilton, Frank Sinatra, Roy Orbison, Billy Ecksteine, Lee Towers, Judy Garland, Elvis Presley, Johnnie Cash, Andy Williams, Olivia Newton John, and Doris Day. Progressive rock group ‘Pink Floyd’ took a recording by the Liverpool Kop choir, and inserted it into their own song, ‘Fearless’, on their 1971 album ‘Meddle’. Indeed, the song has been sung at so many important events around the world. 

The greatest success of the song was by ‘Gerry and the Pacemakers’ and peaking at Number 1 on the ‘UK Singles Chart’ for four consecutive weeks. Sung by Liverpool fans in 1963, the song quickly became the anthem of Liverpool Football Club and is sung by its supporters’ moments before the start of each home game with the ‘Gerry and the Pacemakers’ version being played over the public address system. 

According to former player Tommy Smith, lead vocalist Gerry Marsden presented Liverpool manager Bill Shankly with a recording of his forthcoming cover single during a pre-season coach trip in the summer of 1963. "Shanks was in awe of what he heard. ... Football writers from the local newspapers were travelling with our party and, thirsty for a story of any kind between games, filed copy back to their editors to the effect that we had adopted Gerry Marsden's forthcoming single as the club song." The squad was subsequently invited to perform the track with the band on ‘The Ed Sullivan Show’ with Gerry Marsden stating, "Bill came up to me. He said, 'Gerry my son, I have given you a football team and you have given us a song'."

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I was up at 5.00am this morning to arrive at ‘Leeds Infirmary’ by 7.30 am where I will have a life-saving operation to remove all the deep-seated cancer growth in my forehead that two previous operations failed to accomplish. My operation will involve me having a general anaesthetic (always dangerous given my heart condition and age), plus an additional type of anaesthetic (for reasons I know not). In order to be able to excavate all the cancer growth, the consultant fears that she may have to sever the nerve to my right eyebrow, that will leave me sporting the look of a dodgy pirate. I will also need a larger skin graft taking and could also require a course of radiotherapy afterwards to mop up any residue cancer cells remaining. As long as they are able to get it all out, they can do as much ‘mopping up’ as they like. If my eyebrow nerve have to be cut, the consultant says she will reconstruct my face and re-attach the nerve, if possible, in a subsequent follow up operation. So, fear not that my life-long beauty of face will be too marred, and besides, I think I’d look okay in a black eyepatch anyway, if needs be!

Since I was diagnosed with a terminal blood cancer type of Leukaemia in early 2013, I have been operated on a further four times for four different types of cancer in three different areas of my body. I also have the possibility of a rectal cancer but will have to wait another week before I discover the results of my recent biopsy on March 21st. when I next visit the consultant at Airedale Hospital to be informed of the situation. 

March 21st is an important day in the joint lives of Sheila and me. It is the day that my father was born, and it is also the day when Sheila’s first husband Anton was admitted into hospital as an emergency patient 12 years ago, but sadly died of complications. Let us hope that today is a reason to celebrate this day once more?

Although I have nearly died a couple of times over the past two years (besides having had a ‘Do Not Resuscitate’ placed on me without the knowledge or consent of me and my wife), I remain positive. I know that I am not alone in my struggle and am immensely strengthened by my belief in God, the daily support of my wife Sheila from dawn until dusk, plus all the emotional support and good wishes of my family, and the ongoing prayers of hundreds of Facebook friends from across all five continents of the world. With this support, good wishes and daily prayers of all concerned, never has there been a man who felt he had so many companions walking alongside him, as I feel today. Without this support, thoughts and prayers of all of you, I fear I might have lost the protection of my guardian angel, who has looked over me kindly ever since my earliest fight for life at the age of 11 years of age.

All my life I have been the most independent of men; a trait I undoubtedly take from my late father. All my life since the age of 18 years, I have been cast in the role as a leader of men and women (shop steward at age of 18 years, Mill Manager at the age of 25 years,  Probation Officer at the age of 30 years, and specialist Group Worker, Relaxation Trainer, Anger Management Founder, Stress Management Consultant, Marriage Guidance and Bereavement Counsellor, and Author during the years since). 

Over the past six years, I have had to do two things I never envisaged in my wildest dreams I would do. First, I had to psychologically accept that with my deterioration in walking mobility that I would occasionally need to be pushed around in a wheelchair by my wife, whenever the distance travelled was too far for me to walk. Secondly, I have gradually had to become more dependent on my wife for so many vital aspects daily that enable me to function with the maximum of dignity and a semblance of ‘normality’.

The importance of these changes in my daily life has gradually led this once proud man allowing himself to become more dependent on others; particularly my wife, Sheila. In these changes, I have found something that I would never have previously thought of ever discovering, let alone reconciling myself with: how comforting to know that ‘I NEVER HAVE TO WALK ALONE’ in anything I do or any place I go, or over any hurdle I am required to jump in the future. I wish everyone who feels alone learns this truth today: ‘you never have to walk alone’ in any journey of life you undertake, unless it is by choice!

There are so many people who effectively support me through their daily prayers and expressed good-will that they are already emotionally accompanying me on my final journey. I have always felt loved ever since the moment I was born, but never to the degree that I feel loved today. Indeed, I now feel more loved than any man or woman has a right to feel, and I certainly know that whatever the future holds for me during the immediate years ahead, that I will never again feel to be walking the final leg of my journey through this life alone. Thank you for being there for me. 

Love Bill xxx                                


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Song For Today: 13th March 2019

13/3/2019

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Song for Today: 12th March 2019

12/3/2019

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Today’s song is ‘Kisses Sweeter than Wine’. This song has had many changes and adaptions since it was first composed and started life under a different title and structure as it is in today. It is best known because ‘The Weavers’ had new lyrics and a different musical structure adapted in 1950 before releasing it as a popular love song.

The tune was adapted from Lead Belly’s ‘If It Wasn't for Dicky’ (1937), which in turn was adapted from the traditional Irish folk tune ‘An droimfhionn donn dilís’. The Weavers first released the song in 1951 as a Decca single, which reached Number 19 on the ‘Billboard Chart’ and Number 20 on the ‘Cashbox Chart’ in 1951. The song was also a hit for Jimmie Rodgers in 1957 and Frankie Vaughan I n 1958.

In his 1993 book ‘Where Have all the Flowers Gone’, Pete Seeger described the long genesis of this song. Apparently, the folk musician Lead Belly heard Irish performer Sam Kennedy in Greenwich Village singing the traditional Irish song ‘Drimmin Down’ aka ‘Drimmen Dow’, about a farmer and his dead cow. It is of the type categorized as ‘aisling’ (dream) where the country of Ireland is given form. Most times the form is that of a comely young woman but here it is the faithful handsome cow. Lead Belly adapted the tune for his own farmer/cow song called ’If It Wasn't for Dicky’, which he first recorded in 1937. Lead Belly did not like the lack of rhythm, which had been a part of many free-flowing Irish songs, so he made the piece more rhythmic, playing the chorus with a twelve-string guitar.

Seeger liked Lead Belly's version of the tune, and his chords as well. In 1950, the quartet ‘The Weavers’, which Seeger belonged to, had made a hit version of Lead Belly's ‘Goodnight Irene and they were looking for new material. Seeger and Lee Hays wrote new lyrics (Hays wrote all new verses, Seeger re-wrote Lead Belly's chorus), turning ‘If It Wasn't for Dicky’ into a love song. ‘Kisses Sweeter Than Wine’ was published in 1951 and recorded by ‘The Weavers’ on June 12, 1951, in New York City, reaching Number 19 on the ‘US Hit Parade’.

In his 1993 book, Seeger wrote: "Now, who should one credit on this song? The Irish, certainly. Sam Kennedy, who taught it to us. Lead Belly, for adding rhythm and blues chords. Me, for two new words for the refrain. Lee, who wrote seven verses. Fred and Ronnie, for paring them down to five. I know the song publisher, ‘The Richmond Organization’, cares.”
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I dedicate my song today to Richard, whose 82nd birthday it is. Richard is the partner to my oldest sister, Mary, and is the only family member who is older than I am. Richard has had a difficult year so far, having experienced several mini heart attacks along with the compulsory hospital admissions that accompany them. Having had a triple bypass over twenty years ago, any subsequent heart attack assumes an added degree of seriousness. I always refer to Richard as ‘The Godfather’ of the family.

Richard has never drunk alcohol of any description in all the years I have known him, so wine is most certainly off his menu list. He remains, however, partial to a kiss and a warm cuddle whenever he meets and greets the female members of the Forde clan. So, to Richard, ‘KISSES WILL ALWAYS BE SWEETER THAN WINE’. To anyone who knows Richard, he is the most loving of gentlemen one could hope to meet, and it is lovely to see a man of his age (brought up in the age of the stiff upper lip) being so lovingly emotionally expressive. We all love you, Richard. Thank you for making my sister, Mary happier than she would have been had she never known you and thank you for being ‘our Richard.’ Today’s song is dedicated to you, brother. Billy x

Love and peace. Bill xxx
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Song For Today: 11th March 2019

11/3/2019

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Today’s song is ‘Here in my Heart’. Written by Pat Genaro, Lou Levinson, and Bill Borrelli, the song was published in 1952. A recording of the song by Al Martino made history for being the first Number 1 on the ‘UK Singles Chart’ on 14 November 1952. ‘Here in My Heart’ remained in the top position for nine weeks in the United Kingdom, setting a record for the longest consecutive run at Number 1. It is a record which, over 50 years on, has only been beaten by six other tracks:
Bryan Adams ’Everything I do, I do it for you’: (16 weeks)
Drake: ‘One Dance’: (15 weeks)
David Whitfield: Cara Mia: (10 weeks)
Rihanna: ‘Umbrella’: (10 weeks)
Whitney Houston: ‘I Will Always Love You’: (10 weeks)
Frankie Laine: ‘I Believe’: (18 weeks, but not consecutively and across several runs)

By staying at number one until 1953 in the UK, Martino secured for himself the record of being the only performer to have a Number 1 hit in the entire year of 1952. No subsequent act has ever dominated the top spot so entirely in any later year.

Other versions of the song have been recorded by Tony Bennett, Mario Lanza, and in 1963, Richard Harris, actor, performed this song in the film ’This Sporting Life’ although he would not release his first album until four years later, with 1967's ‘Camelot’.
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My own memory of this song was that during my twentieth year of life when I sang it in a Blackpool ‘Working Men’s Club’. A gang of us had gone to Blackpool for the weekend and despite having had a bit to drink before we called it a night when the club turn had ended, people were invited onto the stage to sing for the last half hour of the night. The bottom line is that I sang my song well enough to be offered to be put on their books at a rate of £20 for a night’s performance in February of the following year (1964), and I was guaranteed three nights weekly around the northern club circuit. At the time, £20 was a good rate for club singers and represented what I would earn for a full week’s wage with overtime at Harrison Gardener’s Dyeworks.

As I had already made plans to emigrate to Canada in mid-December 1963, I declined the offer, but it cemented my plans to sing for a living once I arrived in Montreal. I already had my tickets on the ship booked and paid for and the Blackpool weekend was the way my mates from Windybank Estate chose to give me a good ‘send-off’ before I crossed the Atlantic Ocean a few weeks later.
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Today is the birthday of my sister-in-law Linda who is married to my brother Peter. Linda shares the same birthday with her daughter, Sam. While the family will try to make today a day of celebration to mark the birthdays of both mother and daughter, the occasion will be sadly tinged with the recent death of Linda’s widowed mother, Mavis one week ago. Mavis and Ken emigrated to Australia many years ago, but Linda remained in England while a number of her siblings emigrated with their parents. Mavis’s husband, Ken, died several years ago after the couple had travelled across much of Australia in their camper van during their retirement years. The funeral of Mavis will be held in Australia in two days’ time, but Linda sadly cannot attend.

Being the matriarchal figure of a large extended family that stretched from Australia to England, the loss of Mavis has devastated her children and numerous grandchildren and in-laws. Mavis was such a friendly and much-loved person and shall remain in fond memory in the hearts of all her loved ones' she will always remain in fond memory.

I dedicate my song today, ‘Here in my Heart’ to the celebration of the long and productive life Mavis lived, and the birthdays of her daughter, Linda, and granddaughter Sam. May your birthdays today, be used in celebration of all three of your lives.

God bless Mavis who now joins her deceased husband Ken in the next life, and a happy birthday to my favourite sister-in-law Linda and my nicest of nieces, Sam (but don’t tell the others you’re my favourite sister-in-law and niece) from Billy. May the shared love between each other and all of your extended family comfort you and bless you all on this, your special day.

Photographs of Linda and Mum Mavis, and Sam and Mum Linda are shown here.

Love and peace Bill xxx
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Song For Today: 10th March 2019

10/3/2019

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The song I sing today is one that the Beatles recorded back in 1963/64, ‘And I love her’. It is a song that Paul McCartney claims was primarily written by him although John Lennon claimed in an interview with ‘Playboy’ that he provided a major contribution to the middle section of the song. 

At the time of the song’s release, I was preparing to emigrate to Canada. The Beatles had just started to make a name for themselves in England and had yet to conquer America. John F. Kennedy had just been assassinated and America was in a shroud of mourning and veil of uncertainty. I itemise the major events at the time from a British and American perspective.

January 2nd, 1963: began with the Viet Cong winning their first major victory in the Battle of Ap Bac as they fought America and South Vietnam forces. 

January 14th1963: George Wallace becomes the Governor of Alabama. In his inaugural speech, he defiantly proclaims "segregation now, segregation tomorrow, and segregation forever!"

January 29th, 1963: French President Charles de Gaulle vetoes the United Kingdom’s entry into the European Common Market.

February 11th, 1963: The Beatles record their debut album in a single day, ‘Please, Please Me’ at Abbey Road studios in London. They release this record on March 22nd, 1963.

April 9th, 1963: British statesman Sir Winston Churchill becomes an honorary citizen of the United States. 

June 11th, 1963: President John F. Kennedy broadcasts a historic ‘Civil Rights Address’ in which he promises a ‘Civil Rights Bill’ and asks for "the kind of equality of treatment that we would want for ourselves".

June 21st, 1963: Pope Paul V1 succeeds Pope John XX111 as the 262nd Pope.

July 12th, 1963: Pauline Reade (16) is abducted by Ian Brady and Myra Hindley in Manchester and becomes the first victim of the ‘Moors Murders’. Her remains are not located until July 1987. 

August 8th, 1963: ‘The Great Train Robbery’ takes place in Buckinghamshire when £2.6 million is robbed from the ‘Royal Mail Train.’

August 28th, 1963: Martin Luther King Jnr. Delivers his ‘I have a dream ‘speech on the steps of Lincoln Memorial to an audience of 250,000. At this point in history, this was the single largest protest in American history. 

September 5th, 1963: British would-be-model Christine Keeler is arrested for perjury for her part in the ‘Profumo Affair’. In December of the same year, she is sentenced to 9 months in prison. Minister John Profumo lied to the ‘House of Commons’ about his affair with the 19-year-old model Christine Keeler. Since Keeler had also had sexual relations with Yevgeni Ivanov, the senior naval attaché at the Soviet Embassy, the matter took on a national security dimension. Profumo’s political career ended in resignation, a factor that was later ascribed to bringing down the MacMillan Government of the day. The real importance of the Profumo scandal is that his life thereafter was a model of reformation. After his resignation, Profumo worked as a volunteer at ‘Toynbee Hall’, a charity in East London, and became its chief fundraiser. These charitable activities helped to restore his reputation and he was appointed a Commander of the Order of the British Empire (CBE) for his charitable service in 1975.

November 22nd, 1963: The year comes to an inglorious end with President John F. Kennedy being assassinated in a motorcade in Dallas, Texas by Lee Harvey Oswald; and Lee Harvey Oswald himself being fatally shot by Jack Ruby in Dallas. 

November 25th, 1963 witnesses the State funeral of John F. Kennedy in Arlington National Assembly. Back in England, Ian Brady and Myra Hindley abduct and kill 12-year-old John Kilbride and just before I sail for Canada, in November1963, English writer, Aldous Huxley, author of Brave New World’ dies of cancer in the United States.

As this post started with The Beatles, it is fitting to end by reminding all that on December 26th,1963 as I was crossing the freezing Atlantic Ocean towards my ‘brave new world’, two new Beatle records were released. ‘I Want to Hold Your Hand’ and ‘I Saw Her Standing There’ were released in the United States, marking the beginning of ‘Beatlemania’ on an international scale.

Love and peace Bill xxx
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Song For Today: 9th March 2019

8/3/2019

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Today's song is ‘I Can See Clearly Now’; a song originally recorded by Johny Nash. It was a single from the album of the same name and achieved success in the United States and the United Kingdom when it was released in 1972, reaching Number 1 on the ‘Billboard Top 100’ chart. After Nash wrote and composed the original version, he recorded it in London with members of the ‘Fabulous Five Inc.’ and produced it himself. Its arrangements and style are both heavily laced with reggae influences. Nash had collaborated with Bob Marley previously, and his approach drew strongly from Marley's reggae style.
It has been covered by many artists throughout the years, including a 1993 hit version by Jimmy Cliff, who re-recorded the song for the motion picture soundtrack of ‘Cool Runnings’, where it reached the top 20 at Number 18 on the ‘Billboard Hot 100’. 

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Having spent almost thirty years as a counseller (family, marriage and adoption), group worker, probation officer, relaxation trainer, and stress management consultant, I know enough about the importance one’s ‘feelings’ have in the influence and management of one’s health, hope and happiness.
As a behaviourist since 1970, I have spent a lifetime specialising in the components that make up one’s behaviour pattern (the way and the reasons why we do or don’t do certain things in particular ways) and can espouse a few things with certainty.

Our behaviour pattern (the way we respond to given situations and stimuli) is composed of three behavioural types:
(1) aggressive
(2) appropriately assertive
(3) non-assertive

We will all display some of these types of behaviour occasionally, but one’s overall response pattern is always predominant in one of these three areas above. We are either mostly ‘aggressive’, or mostly ‘appropriately assertive’, or mostly ‘non-assertive’ in ‘character type’.

All problem behaviour is composed of three prime emotions that lead to body imbalance. The three prime emotions are:
(1) anger 
(2) fear
(3) love (lack of it)

At the heart of all emotional dysfunctioning, disturbance or breakdown lies:
(1) too much or too little anger in certain situations
(2) too much or too little fear in certain situations
(3) too little love expressed to self or others.

One of the country’s leading psychologists once told me that the occasions when we are least in control of our feelings are when we are in the middle of any personal crisis such as separation, loss or bereavement of a loved one, divorce etc. He said that at such times in our lives, our emotions are usually too intense to result in clarity of thought and proper perspective. At such times when our feelings are all over the place, we are more prone to irrationality and are unable to identify the causal factor of our problem situation/behaviour.

I know this to be true. Whenever I hear of therapists talking about their clients gaining ‘insight’ during their sessions, I am always hesitant to believe it as being so. Not that therapists don’t achieve good work with talking and listening to their clients; I’m sure that all talking with anyone helps, especially trained professionals. However, by its very composition of problematic and intense feelings, whenever someone is in the middle of a crisis, their intensity of emotion will prevent them from seeing clearly through their thick fog of feeling. It is only after the emotions have diminished in strength and increased in rationality, that 'insight' becomes possible, and only then, are we able to discern the causal factors and how we dealt with our problem behaviour.

Therefore, keeping one’s emotions in balance leads to one being able to say, ‘I can see clearly now’.
Love and peace. Bill xxx
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Song For Today: 8th March 2019

8/3/2019

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Today’s song is ‘Diana’. The song was written and made famous by Paul Anka in 1957 and was recorded in May 1957 at the Don Costa studio in New York City. Paul Anka stated in his autobiography that the song was inspired by a girl named Diana Ayoub, whom he had met at his church and community events and had developed a crush on.

Paul Anka's original 1957 recording reached Number 1 on the ‘Billboard Best Sellers in Stores’ chart (although it climbed no higher than Number 2 on Billboard’s composite ‘Top 100’ chart). It has reportedly sold over nine million copies. ‘Diana’ also hit Number 1 on the ‘R&B Best Sellers’ chart. It also reached Number 1 on the UK's ‘New Musical Express’ chart, staying there for nine weeks, and sold 1.25 million copies in the UK. 
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I recall being so taken by this song as a 15 and 16-year-old teenager that there was a period of about six months out of my dating year in 1958, that I would purposely look out for attractive looking girls in my own age range or a few years older called, ‘Diana’. My aim was to meet them, date them, and finally, impress them by serenading them with the song 'Diana' one moonlit night before ‘popping the question’. Please note that my question was never one of a marriage proposal. Being less acquainted with classical mythology in my teens as I would become in later life, at the time of my pursuit of ‘Dianas’, l never knew that the Goddess Diana was the goddess of wild animals and the hunt. Who knows? I may have got hold of the wrong end of the stick. Perhaps it was the Dianas I sought who were actually trying to ensnare me instead of the other way 'round?

I dated a few young women called 'Diana' during my 16th year of life, although I must admit in all truth, I would have dated any female beauty of fetching features during my later teens, even had she been named ‘Mucky Molly from Miry Lane’ (a lane commonly known as 'Lover's Lane' to residents of Windybank Estate. Halfway down Miry Lane, off the roadside, was a grain field where sheaves of barley grew tall enough to conceal any loving couple from the main road once they lay down. This lovers spot was a place where many a young man or woman either found true love in the heat of a summer passion or some other kind of love in the long grass during the warm months of July and August. Many a young male found his manhood in that farmer's field, and many a young woman lost something valuable to their personage, reputation and marriage prospects! Such losses could be her self-respect, her name or her virginity.

There were clearly double standards commonly practised during the sexist sixties of Great Britain. Whereas the young men ‘getting caught in the firing line’ would generally be viewed as being no more than ‘Jack the Lad sewing his wild oats’, the young women ‘caught short’ could look forward to nothing less than communal disapproval and local approbation. The male hunters would carry their overfilled testosterone bags all around the pubs and dance halls in Cleckheaton, Heckmondwike and Gomersal in those days, emptying them at every opportunity, while the highest fear of any a young woman was remaining unmarried into her mid-twenties and being called ‘an old maid’. Even when the word ‘spinster’ was used to describe the unmarried status of a young woman in her early twenties, the word was spat out in a suspicious-sounding manner that questioned her sexual status.

The sixties were undoubtedly days when moral codes were applied differently to any young man or woman committing the same sexual act. Society discriminated greatly against all females, much more than any male. Whereas men could fight, fart and f…k when and where they willed, women were still clothed in a blanket of male subservience and male 'protection'.

The ‘battle of the sexes’ was being unfairly fought on infertile ground (especially following the introduction of the 'pill'), where men assumed the moral high ground and the women of the times could only stay stumm, ‘lay low’ and preserve their feminine protest for the ‘Women’s Movement’ of the 1970s, headed by Germaine Greer and millions of feminist followers reading ‘The Female Eunuch’ as they paraded the streets in protest and burned their bras at public demonstrations.

The sixties were undoubtedly the age of 'double standards' whenever judging the actions of the single young man and young woman who became sexually entwined and were later ‘found out’. The women were dammed by society if they did and dumped by their boyfriends if they didn’t! Their willingness in agreeing to ‘making love’ outside marriage confirmed them in the eyes of decent society as 'sluts, harlots and sexual Jezebels' who were prepared to shame their families, sully their reputations and ruin their marriage prospects; all for a three-minute furtive roll and fumble in the barley fields of romantic exploration.

The only way a young man could persuade a decent girl to ‘show all’; particularly if she was a young woman who wanted to wear white on her wedding day (whether she was as pure and untouched as the colour of the wedding dress suggested), was for the man to pay up front for a promise of the goods yet to come. By making a public declaration of his commitment to marry the young woman five years hence,(and placing an advertisement of his intentions in the local newspaper), the man could often sample the goods before his sworn declaration of 'I do', by placing an engagement ring on the third finger of his fiancée’s hand. He knew that such a public commitment would considerably increase his prospects of getting his intended bride to raise the flag for him and to show her true colours before their wedding day.

Indeed, according to historians, the reason why engagement rings are placed on the ring finger of the woman’s left hand in most countries is that it was believed that this finger contained a vein (the vena amoris) that led to the heart. But according to fiancés of the 1960s, he knew that by placing the engagement ring on her third finger, it would be more likely to lead him to her bed long before the 5-year-period of engagement had expired.

Indeed, in England, there existed a legal redress called ‘Breach of Promise’ between the middle ages and the 20th century. This Act stated that any woman whose fiancé broke off their engagement could sue him for ‘Breach of Promise’, whilst a woman, (who was historically regarded as the weaker sex), was permitted to change her mind without penalty. The last prominent case was in 1969, when Eva Haraldsted sued George Best, a prominent Irish footballer and woman philanderer for 'Breach of Promise'. Part of the reasoning behind taking 'Breach of Promise' action in court, was the increased likelihood that many women 'engaged to marry' would not only have lost all future marriage prospects but would be vied as being 'damaged goods', having probably lost their virginity also during the lengthy engagement period.

Back to girls called ‘Diana’. Strangely enough, while there were many more women in my life before my marriage at the (then) old age of twenty-six, I never did date another female after my 16th year of life who was called ‘Diana’. That is unless the young women of the late sixties had cottoned on when they attended the Saturday night dances and provided the young men with whom they dallied with 'false names', as most of the men had done to them for many years past?

Love and peace. Bill xxx
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