FordeFables
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      • No Need to Look for Love
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        • The Tannery Wager
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      • The Priest's Calling Card >
        • Chapter One - The Irish Custom
        • Chapter Two - Patrick Duffy's Family Background
        • Chapter Three - Patrick Duffy Junior's Vocation to Priesthood
        • Chapter Four - The first years of the priesthood
        • Chapter Five - Father Patrick Duffy in Seattle
        • Chapter Six - Father Patrick Duffy, Portlaw Priest
        • Chapter Seven - Patrick Duffy Priest Power
        • Chapter Eight - Patrick Duffy Groundless Gossip
        • Chapter Nine - Monsignor Duffy of Portlaw
        • Chapter Ten - The Portlaw Inheritance of Patrick Duffy
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        • Chapter One - The Portlaw Runt
        • Chapter Two - Tony Arrives in California
        • Chapter Three - Tony's Life in San Francisco
        • Chapter Four - Tony and Mary
        • Chapter Five - The Portlaw Secret
      • The Oldest Woman in the World >
        • Chapter One - The Early Life of Sean Thornton
        • Chapter Two - Reporter to Investigator
        • Chapter Three - Search for the Oldest Person Alive
        • Chapter Four - Sean Thornton marries Sheila
        • Chapter Five - Discoveries of Widow Friggs' Past
        • Chapter Six - Facts and Truth are Not Always the Same
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        • Chapter 1 - 'Return of the Prodigal Son'
        • Chapter 2 - 'The early years of sweet innocence in Portlaw'
        • Chapter 3 - 'The Separation'
        • Chapter 4 - 'Separation and Betrayal'
        • Chapter 5 - 'Portlaw to Manchester'
        • Chapter 6 - 'Salford Choices'
        • Chapter 7 - 'Life inside Prison'
        • Chapter 8 - 'The Aylesbury Pilgrimage'
        • Chapter 9 - Sean's interest in stone masonary'
        • Chapter 10 - 'Sean's and Tony's Partnership'
        • Chapter 11 - 'Return of the Prodigal Son'
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        • Chapter One
        • Chapter Two
        • Chapter Three
        • Chapter Four
        • Chapter Five
        • Chapter Six
        • Chapter Seven
        • Chapter Eight
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        • Chapter One: ' Liam Lafferty is born'
        • Chapter Two : 'The Baptism of Liam Lafferty'
        • Chapter Three: 'The early years of Liam Lafferty'
        • Chapter Four : Early Manhood
        • Chapter Five : Ned's Secret Past
        • Chapter Six : Courtship and Marriage
        • Chapter Seven : Liam and Trish marry
        • Chapter Eight : Farley meets Ned
        • Chapter Nine : 'Ned comes clean to Farley'
        • Chapter Ten : Tragedy hits the family
        • Chapter Eleven : The future is brighter
      • The life and times of Joe Walsh >
        • Chapter One : 'The marriage of Margaret Mawd and Thomas Walsh’
        • Chapter Two 'The birth of Joe Walsh'
        • Chapter Three 'Marriage breakup and betrayal'
        • Chapter Four: ' The Walsh family breakup'
        • Chapter Five : ' Liverpool Lodgings'
        • Chapter Six: ' Settled times are established and tested'
        • Chapter Seven : 'Haworth is heaven is a place on earth'
        • Chapter Eight: 'Coming out'
        • Chapter Nine: Portlaw revenge
        • Chapter Ten: ' The murder trial of Paddy Groggy'
        • Chapter Eleven: 'New beginnings'
      • The Woman Who Hated Christmas >
        • Chapter One: 'The Christmas Enigma'
        • Chapter Two: ' The Breakup of Beth's Family''
        • Chapter Three: From Teenager to Adulthood.'
        • Chapter Four: 'The Mills of West Yorkshire.'
        • Chapter Five: 'Harrison Garner Showdown.'
        • Chapter Six : 'The Christmas Dance'
        • Chapter Seven : 'The ballot for Shop Steward.'
        • Chapter Eight: ' Leaving the Mill'
        • Chapter Ten: ' Beth buries her Ghosts'
        • Chapter Eleven: Beth and Dermot start off married life in Galway.
        • Chapter Twelve: The Twin Tragedy of Christmas, 1992.'
        • Chapter Thirteen: 'The Christmas star returns'
        • Chapter Fourteen: ' Beth's future in Portlaw'
      • The Last Dance >
        • Chapter One - ‘Nancy Swales becomes the Widow Swales’
        • Chapter Two ‘The secret night life of Widow Swales’
        • Chapter Three ‘Meeting Richard again’
        • Chapter Four ‘Clancy’s Ballroom: March 1961’
        • Chapter Five ‘The All Ireland Dancing Rounds’
        • Chapter Six ‘James Mountford’
        • Chapter Seven ‘The All Ireland Ballroom Latin American Dance Final.’
        • Chapter Eight ‘The Final Arrives’
        • Chapter Nine: 'Beth in Manchester.'
      • 'Two Sisters' >
        • Chapter One
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        • Chapter Three
        • Chapter Four
        • Chapter Five
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        • Chapter Twelve
        • Chapter Thirteen
        • Chapter Fourteen
        • Chapter Fifteen
        • Chapter Sixteen
        • Chapter Seventeen
      • Fourteen Days >
        • Chapter One
        • Chapter Two
        • Chapter Three
        • Chapter Four
        • Chapter Five
        • Chapter Six
        • Chapter Seven
        • Chapter Eight
        • Chapter Nine
        • Chapter Ten
        • Chapter Eleven
        • Chapter Twelve
        • Chapter Thirteen
        • Chapter Fourteen
      • ‘The Postman Always Knocks Twice’ >
        • Author's Foreword
        • Contents
        • Chapter One
        • Chapter Two
        • Chapter Three
        • Chapter Four
        • Chapter Five
        • Chapter Six
        • Chapter Seven
        • Chapter Eight
        • Chapter Nine
        • Chapter Ten
        • Chapter Eleven
        • Chapter Twelve
        • Chapter Thirteen
        • Chapter Fourteen
        • Chapter Fifteen
        • Chapter Sixteen
        • Chapter Seventeen
        • Chapter Eighteen
        • Chapter Nineteen
        • Chapter Twenty
        • Chapter Twenty-One
        • Chapter Twenty-Two
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Song for Today: 31st January 2019

30/1/2019

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The song I sing today is one that the Beatles recorded back in 1963/64, ‘And I love her’. It is a song that Paul McCartney claims was primarily written by him although John Lennon claimed in an interview with ‘Playboy’ that he provided a major contribution to the middle section of the song. 

At the time of the song’s release, I was preparing to emigrate to Canada. It had proved to be a momentous year as 1964 approached and as I sailed across the Atlantic, my mind started to focus upon all the major news events of the past year(1963) that had affected the country I was leaving and had also influenced the part of the world I was going to; events which I now share with you. Just before I sailed from Liverpool to Nova Scotia the Beatles had just started to make a name for themselves in England but had yet to conquer America. John F.Kennedy had just been assassinated and America was in a shroud of mourning and a veil of uncertainty. The major events of 1963 I itemise are from a British and American perspective.

January 2nd, 1963: began with the Viet Cong winning their first major victory in the Battle of Ap Bac as they fought America and South Vietnam forces. 

January 14th, 1963: George Wallace becomes the Governor of Alabama. In his inaugural speech, he defiantly proclaims "segregation now, segregation tomorrow, and segregation forever!"

January 29th, 1963: French President Charles de Gaulle vetoes the United Kingdom’s entry into the European Common Market.

February 11th, 1963: The Beatles record their debut album in a single day, ‘Please Please Me’ at Abbey Road studios in London. They release this record on March 22nd, 1963.

April 9th, 1963:  British statesman Sir Winston Churchill becomes an honorary citizen of the United States. 

June 11th, 1963: President John F. Kennedy broadcasts a historic ‘Civil Rights Address’ in which he promises a ‘Civil Rights Bill’ and asks for "the kind of equality of treatment that we would want for ourselves".

June 21st, 1963: Pope Paul VI succeeds Pope John XXIII as the 262nd Pope.

July 12th, 1963:  Pauline Reade (16) is abducted by Ian Brady and Myra Hindley in Manchester and becomes the first victim of the ‘Moors Murders’. Her remains are not located until July 1987. 

August 8th, 1963: ‘The Great Train Robbery’ takes place in Buckinghamshire when £2.6 million is robbed from the ‘Royal Mail Train.’

August 28th, 1963: Martin Luther King Jnr. delivers his ‘I have a dream ‘speech on the steps of Lincoln Memorial to an audience of 250,000. At this point in history, this was the single largest protest in American history. 

September 5th, 1963: British would-be-model Christine Keeler is arrested for perjury for her part in the ‘Profumo Affair’ and in December 63, is sentenced to 9 months in prison. Minister John Profumo lied to the ‘House of Commons’ about his affair with the 19-year-old model Christine Keeler. Since Keeler had also had sexual relations with Yevgeni Ivanov, the senior naval attaché at the Soviet Embassy, the matter took on a national security dimension. Profumo’s political career ended in resignation, a factor that was later ascribed to bringing down the MacMillan Government of the day. The real importance of Profumo is that his life thereafter was a model of reformation. After his resignation, Profumo worked as a volunteer at ‘Toynbee Hall’, a charity in East London, and became its chief fundraiser. These charitable activities helped to restore his reputation and he was appointed a Commander of the Order of the British Empire (CBE) for his charitable service in 1975.

The year comes to an inglorious end with President John.F.Kennedy being assassinated in a motorcade in Dallas: Texas by Lee Harvey Oswald; and Lee Harvey Oswald himself being fatally shot by Jack Ruby in Dallas. November 25th: 1963 witnesses the State funeral of John F.Kennedy in Arlington National Assembly: Back in England, Ian Brady and Myra Hindley abduct and kill 12-year-old John Kilbride: And just before I sail for Canada, in November1963, English writer, Aldous Huxley, author of 'Brave New World’ dies of cancer in the United States.

As this post started with the Beatles, it is fitting to end by reminding all that on December 26th 1963 as I was crossing the freezing Atlantic Ocean towards my ‘brave new world,’ two new Beatles records were released. ‘I Want to Hold Your Hand’ and ‘I Saw Her Standing There’ were released in the United States, marking the beginning of ‘Beatlemania’ on an international scale.

​Love and peace Bill xxx

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Song for Today: 30th January 2019

30/1/2019

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Today’s song has meant much to me; particularly over the past six years since I’ve been bothered by several health issues. I sing it today for all those people who cannot find hope in the prospect of a new tomorrow and the courage to face the uncertainty of their future in a manner that enables them to find peace and happiness in today. My heart goes out to all of them, especially all those fighting cancers; and particularly the children and very young who have this pernicious illness and who have seen so little of life unfold yet. Today’s song is dedicated to them and I sing my version of ’The Impossible Dream’.

‘The Impossible Dream’ (‘The Quest’) is a song composed by Mitch Leigh, with lyrics written by Joe Darion. The song is the most popular song from the 1965 Broadway musical ‘Man of la Mancha’ and is also featured in the 1972 film of the same name starring Peter O’Toole.

The complete song is first sung by Don Quixote as he stands vigil over his armour, in response to Aldonza's question about what he means by ‘following the quest’. It is reprised partially three more times – the last by prisoners in a dungeon as Miguel de Cervantes and his manservant mount the drawbridge-like prison staircase to face trial by the ‘Spanish Inquisition’.

The song was awarded the 'Contemporary Classics Award' from the 'Songwriter's Hall of Fame'. The song has also been covered by too many artistes to enumerate; with a few including, Jack Jones, Frank Sinatra, The Temptations, Shirley Bassey, Matt Monro, Glen Campbell, Andy Williams, Cher, Roberto Flack, Elvis Presley and Luther Vandross.

So, I ask all you facing strife, pain and struggle in your life to look for the rainbow of hope behind every cloud after the shower downpour has done its worse, and permit your mind to see the brighter day ahead. Allow any uncertainty in your life to drift away from you in your dark clouds of doubt and replace any irrational belief you hold (ie beliefs that cannot be demonstrably proved to exist in reality), with more rational thoughts and more positive beliefs. It has long been established that what a person actually tells himself/ herself what will happen to them, will be more likely to happen! Tell yourself bad things will happen to you or good things, and you automatically increase the likelihood of those things happening. Nothing will make a thing 'good or bad', 'true or false', except saying it is so! If we must indulge in self-talk(which has been demonstrated we all do, all the time), then mere common sense ought to tell us to engage in believable and positive self-talk.

We begin at the start of every new day. Each morning, we look into the mirror and reaffirming that we look okay and that we are a good person who deserves to be sufficiently happy. We also reaffirm by self statement, 'Today is a good day to be alive.'

Love and peace Bill xxx
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Song for Today: 29th January 2019

29/1/2019

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Today’s song is ‘Goodnight Irene’. It is a song from my early childhood and carries a memorable family significance for me. I was born the oldest of seven children; I have three sisters and three brothers. The descending age rank of family siblings is me, Mary, Eileen. Patrick, Peter, Michael and Susan. I have called my second oldest sister ‘Eileen’ all her life, but all my siblings have always called her ‘Eile’; the name she prefers to be known by. When my mother used to put her to bed on a night, she would always sing the song, ‘Goodnight Irene’ to her, always replacing the name ‘Irene’ with ‘Eileen’ as she sang her to sleep. Given the family confusion that has always existed regarding the name she has on her birth certificate (which I’ve never seen), my second oldest sister has lived her life in a permanent state of identity crisis. I dedicate today’s song to my sister, ‘Eileen’, ‘Eile’ or whatever name her birth certificate denotes that she is called?

‘Goodnight, Irene’ or ‘Irene, Goodnight’ is a 20th-century American folk standard and was first recorded by American blues musician, Huddy ‘Lead Belly’ Ledbetter in 1933. The lyrics tell of the singer's troubled past with his love, Irene, and expresses his sadness and frustration. Several verses refer explicitly to suicidal fantasies, most famously in the line ‘sometimes I take a great notion to jump in the river and drown,’ which was the inspiration for the 1964 Ken Kesey novel, 'Sometimes a Great Notion’.

The specific origins of ‘Irene’ are unclear. Lead Belly was singing a version of the song as early as 1908, which he claimed to have learned from his uncles, Terell and Bob. An 1892 song by Gussie L. Davis has several lyrical and structural similarities to the latter song; a copy of the sheet music is available from the Library of Congress.] Some evidence suggests the 1892 song was itself based on an even earlier song which has not survived. Regardless of where he first heard it, by the 1930s Lead Belly had made the song his own, modifying the rhythm and rewriting most of the verses.

Lead Belly continued performing the song during his various prison terms, and it was while incarcerated at the ‘Louisiana State Penitentiary’ that he encountered musicologists, John and Alan Lomax who would go on to record hours of Lead Belly's performances. A few months prior to his release in 1934, Lead Belly recorded several of his songs, including ‘Irene’, for the ‘Library of Congress’. ’Irene" remained a staple of Lead Belly's performances throughout the 1930s and '40s. However, despite popularity within the New York blues community, the song was never commercially successful during his lifetime. In 2002, Lead Belly's 1936 ‘Library of Congress’ recording received a ‘Grammy Hall of Fame Award’.

In 1950, one year after Lead Belly's death, the American folk band ‘The Weavers’ recorded a version of ‘Goodnight, Irene’. The single first reached the ‘Billboard Best Sellers’ in the ‘Stores’ chart on June 30, 1950, and lasted 25 weeks on the chart, peaking at Number 1 for 13 weeks. Although generally faithful, ‘The Weavers’ chose to omit some of Lead Belly's more controversial lyrics, which lead ‘Time’ magazine to label it a ‘dehydrated’ and ‘prettied up’ version of the original. Due to the recording's popularity, however, ‘The Weavers' lyrics are the ones generally used today. ’Billboard’ ranked this version as the No. 1 song of 1950.

‘The Weavers' enormous success inspired many other artists to release their own versions of the song, many of which were themselves commercially successful across several genres. These included Frank Sinatra and Patsy Cline of more recent times.

So, you see, not only did confusion reign in the Forde Family as to my second sister’s actual Christian name, but even the song title and its original verses held its own controversy over the years. 

Love and peace Bill xxx
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Song for Today: 28th January 2019

28/1/2019

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Today’s song I sing is ‘You’re Beautiful’. This song was co-written by British singer James Blunt, Sacha Skarbek and Amanda Ghost for Blunt’s debut album, ‘Back to Bedlam’ in 2004. It was released as the third single from the album in 2005.

In the United Kingdom and Australia, the song reached number one and number two respectively. When released as the debut single from ‘Back to Bedlam’ in Canada and the United States, it reached number one on both charts. In 2006, the song won an Ivor Novello Award for the widespread airplay it had received. The song has reportedly sold 625,000 copies in the United Kingdom, and by October 2012 over three million in the United States. It remains Blunt's biggest hit single in the United States to date, and his only one to reach the top 40 of the Billboard Hot 100.

In 2012, a new version of the single was issued in Japan.

Newspapers have claimed that ‘You're Beautiful’ is about a former girlfriend of Blunt, Dixie Chassay, who was the casting director for the Harry Potter films, although Blunt refuses to confirm or deny this. On 8 March 2006 on ‘The Oprah Winfrey Show, Blunt said of the song, "It was about seeing my ex-girlfriend on the Underground in London with her new man, who I didn't know existed. She and I caught eyes and lived a lifetime in that moment but didn't do anything about it and haven't seen each other since."

Several versions of the song exist. One lyrical version has an explicit word in it (‘She could see from my face that I was f…ing high’) which was released on ‘Back to Bedlam’ and most of the ‘You're Beautiful’ singles. The radio edit of the song replaces the explicit lyric, changing it to ‘She could see from my face that I was 'flying' high’. Acoustic, live and DVD versions have also been released. However, because of the word in question, the album was given a ‘Parental Advisory’ sticker

In the beginning of the song, Blunt sings the first line twice ("My life is brilliant"). The mistimed delivery was left in the final recording but omitted in radio versions. I also repeat the line in my rendition of the song, as Blunt did, but leave out the explicit word that he included.

There are two things that everyone should reaffirm to themselves each morning when they look in the mirror after getting out of bed. (1) "Today is a good day" and (2) " You're beautiful".

Love and peace Bill xxx
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Song for Today: 27th January 2019

27/1/2019

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Today’s song I sing for you is one that I heard Elvis Presley sing in the late 60s; ‘Burning Love’.

The song was written by Dennis Linde and was originally recorded by country and western soul artist Arthur Alexander who included it on his 1972 self-titled album. It was soon covered and brought to fame by Elvis Presley, becoming his biggest hit single in the United States since ‘Suspicious Minds’. Elvis Presley's cover version became much more popular than the original version and was released as a single on August 1, 1972.

To me, the song,'Burning Love' has always been synonymous with passion; the emblem of one's strongest emotions. We all display passion when we want to live, learn and love with all the zest we possess. I have always been a passionate person. I used to think of myself as being one who loved too much and too easily, but now know that one cannot love enough. I learned long ago that 'loving too much' is not a failing, whereas 'loving without discernment' is. I have always found my passion to move me beyond my shortcomings, beyond my failures and even beyond myself. Any courage which I have ever displayed has come from my passion and never any position I held.

As a child, my dear mother often indicated that she would prefer to see a misdirected passionate streak in me, saying, "If you don't like what you do, Billy, you won't do it with any conviction or passion". Her words have remained a constant reminder to me that whereas purpose may be the reason that I journey through life, it is a passion that lights up my way. My own examined character flaws showed me in my thirties that when one's purpose and passion are greater than one's fears and excuses that a way can always be found. My religion and love of God, and my physical, emotional and spiritual love of my wife, Sheila has taught me that the things I am passionate about are never random; they are my calling, they were meant to be.

Love and peace Bill xxx





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Song for Today: 26th January 2019

26/1/2019

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Today’s song is ‘While My Guitar Gently Weeps’. This song was by the Beatles and is from their 1968 album (‘The Beatles’, also known as ‘The White Album). The song was written by group member George Harrison. The song serves as a comment on the disharmony within the Beatles following their return from studying Transcendental Meditation in India during 1968. This lack of camaraderie was reflected in the band's initial apathy towards the composition, which Harrison countered by inviting his friend and occasional collaborator, Eric Clapton, to contribute to the recording. Clapton overdubbed a lead guitar part, although he was not formally credited for his contribution.

Harrison wrote ‘While My Guitar Gently Weeps’ to convey his dismay at the world's unrealised potential for universal love, which he refers to as ‘the love there that's sleeping’.

I just love the combination of singing/word content/guitar playing this song holds and it will always remain high up in my own special chart. This song is especially more relevant this week in the lives of myself and my wife Sheila, both of whom fondly remember the birthdays of our deceased parents (my mother and Sheila’s father), each of whom were born within two days of each other in the third week of January 1922 and both of whom died young.

There are two lines of this song which particularly resonate with our feelings of parental love and loss:
“I look at the world and it keeps turning, while my guitar gently weeps.”
and
“I look at you all and see the love that is sleeping, while my guitar gently weeps.”

Since my mother and Sheila’s father died, our worlds have continued to turn as we have got on with our lives, and on the anniversary of their birthdays and death each year, we silently remember their presence in our lives and feel their loss once more as we gently weep their passing, plucking our heartstrings in fond remembrance. We love you, Mum Forde and Dad Williams.

Love and peace Bill xxx
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Song For Today: 25th January 2019

25/1/2019

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Today’s song is ‘Folsom Prison Blues’; a song written in 1953 and first recorded in 1955 by American singer-songwriter Johnny Cash. The song combines elements from two popular folk styles, the train song and the prison song; both of which Cash continued to use for the rest of his career. It was one of Cash's signature songs and a live version itself, became a Number 1 hit on the country music charts in 1968. In June 2014, ‘Rolling Stone’ ranked ‘Folsom Prison Blues’ Number. 51 on its list of the 100 greatest country songs of all time.

Cash was inspired to write this song after seeing the movie ’Inside the Walls of Folsom Prison’ in 1951 while serving in West Germany in the United States Air Force at Landsberg, Bavaria. Landsberg is itself the location of a famous prison. Cash recounted how he came up with the line ‘But I shot a man in Reno, just to watch him die’. Cash said, "I sat with my pen in my hand, trying to think up the worst reason a person could have for killing another person, and that's what came to mind."

Like other songs recorded during his early Sun Records sessions, Cash had no drummer in the studio. He cleverly replicated the snare drum sound by inserting a piece of paper (like a dollar bill) under the guitar strings and strumming the snare rhythm on his guitar. The song was released as a single with another song recorded at the same session.

Cash took the melody for the song and many of the lyrics from Gordon Jenkins’s ‘Seven Dreams’ album in 1953 (specifically the song ‘Crescent City Blues’). When Jenkins was not credited on the original record that Cash released, which was issued by ‘Sun Records’ and the song became extremely popular, Jenkins sued, and Johnny Cash paid Jenkins a settlement of approximately US$75,000 following a lawsuit.

The trademark of Johnny Cash was his all-black stage wardrobe, which earned him the nickname ‘The Man in Black’. Much of Cash's music contained themes of sorrow, moral tribulation, and redemption; especially in the later stages of his career. Cash would open most all of his concerts with ‘Folsom Prison Blues’, after greeting the audience with his trademark introduction, "Hello, I'm Johnny Cash," For decades. Cash performed the song at ‘Folsom Prison’ itself on January 13, 1968, and this version was eventually released on the ‘At Folsom Prison’ album the same year. Cash received a great roar of approval from the Folsom Prison inmates whenever he sang the line, "But I shot a man in Reno, just to watch him die".

Although I had heard of Johnny Cash and Hank Williams and other American country and western singers when I was a teenager living in West Yorkshire, it was not until I lived in Canada for a couple of years between the ages of 21-23 that I truly grew to love his music. Johnny Cash will be primarily remembered as a country music icon, but his songs spanned many genres and sounds such as rock and roll, rockabilly blues, folk singing and gospel. This crossover appeal won Cash the rare honour of being inducted into the Country Music, Rock and Roll, and Gospel Music ‘Halls of Fame’.

Born in 1932, he died aged 73 years in 2003, leaving his much-loved fans like myself sorry that we would not hear the distinctive sound and like of his calm bass-baritone voice again live.

Love and peace Bill xxx
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Song for Today: 24th January 2019

24/1/2019

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Today’s song is ‘Big Girls Don’t Cry'.This song was written by Bob Crewe and Bob Gaudio, and was originally recorded by ‘The Four Seasons’. It hit number one on the Billboard Top 100 on November 17, 1962.

According to Gaudio, he was dozing off while watching the movie, ‘Tennessee’s Partner’ (1955), when he heard Payne's character slap Fleming in the face. After the slap, Fleming's character replied, "Big girls don't cry." Gaudio wrote the line on a scrap of paper, fell asleep, and wrote the song the next morning. However, the now-famous line does not appear in the mentioned film. According to Bob Crewe, (who tells a remarkably similar story), he himself was dozing off in his Manhattan home with the television on when he awoke to see John Payne manhandling Rhonda Fleming in the film ‘Slightly Scarlet’; a 1956 film noir based on a James M. Cain story. The line, ‘Big girls don’t cry’ is heard in that film. It has also appeared in the soundtrack to the 1987 film ‘Dirty Dancing’.

My twenty-six years working as a Probation Officer and stress management group worker involved me working with the hardest men imaginable, and women who had suffered horrible physical and sexual abuse as a child by a family member in the most unmentionable of circumstances. I tell you, that neither type of person, or indeed any person I ever knew, who, repressed their emotions and later found they couldn’t cry, were ever helped until they ‘did cry’, after emotionally expressing their intense anger and disgust at what they did or had done to them.

One person I will never forget was a young woman in her mid-twenties. She was a member of one of my twenty-six-week two-hour groups I ran for twenty years. The groups were highly successful in helping people who displayed entrenched problematic behaviour, caused by decades of unhealthily repressing intense emotions. During the group sessions, the young woman revealed that she had been sexually abused in her youth, and though she now wanted to express her anger and disgust to the abuser and had grown confident enough to do so, it was alas impossible, because the abuser had died some few years earlier. It later transpired that the other group members were so empathetic of her situation and supportive to her, that when she asked, “How can you be angry with a dead father who could no longer be able to hear you?’ another group member reminded her of a lesson that had been taught to them during their weekly sessions; ‘That it is more important within the resolution of any situation 'what we do' and not 'what someone else does’.

After having been reminded by a group member that it mattered not if her dead father couldn’t hear her and that what really mattered was that she said what she wanted and needed to say to him. The young woman was reminded that she needed to express all of those hurtful repressed emotions that had been trapped inside her body for almost twenty years if she was ever to move on with her life and get some sense of 'closure'. She agreed to follow their suggestion.

After we had discovered where her father was buried ( having had no contact with him for over ten years after she ran away from home at the age of 16), she visited the grave (with myself and four other group members in attendance as emotional support) and vented her anger and disgust at what he had done to her as a child over the dead man’s unattended grave. After her emotional outburst, she cried and cried and was eventually healed over the following years of the deep trauma which had been responsible for her display of problematic behaviour for many years after the event. She never forgot the cruel acts perpetrated against her as a child by a father who should have loved her and not abused her; neither did she forgive her dead father. However, after releasing the barriers that had dammed her tears for a decade or more, she was now back in control of her behaviour and was able to emotionally dump all baggage and move on with her life.

Take it from me folks that ‘Big girls do cry’ along with ‘Big boys’. If we are wise, we will never hold back our tears whenever weeping is the natural thing to do.

Love and peace. Bill xxx
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Song For Today: 23rd January 2019

23/1/2019

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Today’s song was brought back to my memory by the only television programme that my wife and I regularly watch together on a Saturday evening; ‘Casualty’. The programme edition I refer to was during early 2019 when the character Lofty sang a love song to his screen partner, Dominic.

Lyrically, "Only You" is a ‘torch song’ about the resignation of a relationship. The singer knows the conflict-laden relationship is over but desperately wants to be proven wrong. Moyet turned the lyrics into the story of a person ‘looking through a scrapbook of photo-like memories. Moyet's lyrics are soulful.

The song was ranked at number 7 among the top ten ‘Tracks of the Year. for 1982 by NME and has been covered by numerous singers like Kylie Minogue and James Corden, Joshua Radin, Enrique Iglesias, Selena Gomez and The Flying Pickets among others.

Love and peace Bill xxx

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Song for Today: 22nd January 2019

22/1/2019

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Today is the first coating of snow that I’ve seen on the ground this winter, so it is appropriate that I sing this wintery song for any child or indeed the child in any adult. My song today is, ‘Frosty the Snowman’.

The song was written by Walter Rollins and Steve Nelson in 1950 and was first recorded by Gene Autry of that same year. Later, Jimmy Durante recorded the song. It was written after the success of Autry’s recording of ‘Rudolph the Red-Nosed Reindeer’ in 1949. Warner Brothers owned the rights to all the characters.

The song recounts the fictional tale of Frosty, a snowman who is brought to life by a magical silk hat that a group of children find and place on his head. Frosty enjoys roaming throughout town with the children who constructed him. Frosty finally says ‘Goodbye’ to the children and comforts them, promising he will be back again someday. Although it is generally regarded as a Christmassy song, the original lyrics make no mention of the holiday, leaving ‘Frosty the Snowman’ as a song for all wintery occasions of a child’s year.

This song forms one of my earliest memories as a child hearing it for the first time on the wireless (that’s the radio for all you young ones under the age of sixty), being sung by one of my favourite cowboys and screen idols, Gene Autry, and ‘that man who sings down his nose’, as my mother used to describe Jimmy Durante.

Now, go on and be truthful for once! Hands up if you can remember being filled with enough excitement to either break wind or burst your braces upon seeing the first heavy snowfall of the year outside your bedroom window…and… throwing your first snowball… and…building your first snowman… and… talking to your snowman…and…hearing him talk back to you? If you recall these happy memories, you can continue your day in the certain knowledge that you still have the child in you, so, please keep him/her there.

Love and peace Bill xxx

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Song For Today: 21st January 2019

21/1/2019

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My song today is ‘My Generation’ that the English rock band the ‘Who’ recorded in October 1965 and which reached number 2 in the UK. It is one of the only songs I have ever heard in which the lead singer seemingly stutters some of the verse as he is singing the song. I have always been left to believe that people who stutter whilst speaking can pronounce the very same words without a stutter when singing them. It is only my recent research that has thrown additional light on the presence of stuttering on this record.
Townshend reportedly wrote the song on a train and is said that 'My Generation' was very much about trying to find a place in society. Perhaps the most striking element of the song is the lyrics, which are considered as being one of the most distilled statements of youthful rebellion in rock history. The tone of the track alone helped make it an acknowledged forebear of the ’Punk Rock’ movement. One of the most quoted, and patently rewritten—line in rock history is, "I hope I die before I get old"; famously sneered by lead singer Roger Daltrey.
Another salient aspect of ‘My Generation’ is Daltrey's delivery. The song is delivered in an angry and frustrated stutter. Various stories exist as to the reason for this distinct delivery. One is that the song began as a slow-talking blues number without the stutter (in the 1970s it was sometimes performed as such, but with the stutter, as ‘My Generation Blues’), but after being inspired by John Lee Hooker’s ‘Stuttering Blues’, Townshend reworked the song into its present form.
Another reason is that it was suggested to Daltrey that he stutter to sound like a British mod on ‘speed’ (an amphetamine that many youngsters of the 1960s took to get ‘high’). It is also proposed, albeit less frequently, that the stutter was introduced to give the group a framework for implying an expletive in the lyrics: "Why don't you all ‘fff ... fade away!"
The BBC initially refused to play ‘My Generation’ because it did not want to offend people who stutter, but it reversed its decision after the song became more popular.
Just as a person who stutters certain words find it extremely difficult not to stutter, likewise, a singer who never stutters and sings a song which incorporates stuttering among the verse inversely finds it so. Please note that no offence to anyone who stutters is intended by me in copying the style of this song as it was originally recorded by the 'Who'.
Love and peace Bill xxx

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Song For Today: 20th January 2019

20/1/2019

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Today, I want to sing ‘Jealous Guy’ which is from John Lennon’s 1971 album, ‘Imagine’. Lennon began writing the song in 1968 and it was among the many songs demoed by the Beatles before they recorded their self-titled double album known as the ‘White Album’. The lyrics were originally inspired by a lecture given by Maharishi Mahesh Yogi in early 1968, when the Beatles attended his spiritual retreat in Rishikesh, India. The lecture was about ‘a son of the Mother Nature’ and it was initially intended to include the song (originally entitled ‘Child of Nature) in a Beatles album that was demoed at George Harrison’s house, but this never happened. Early the following year, Lennon revisited the song. He scrapped the original lyrics and replaced them with lyrics for ‘Jealous Guy’ that was included on his album ‘Imagine’.

In its rewritten form, the song serves as a confessional in which Lennon addresses the feelings of inadequacy that resulted in his failings as a lover and husband. ‘Jealous Guy’ is one of the most commonly recorded Lennon songs, with almost 100 cover versions. Released as a single, Roxy Music’s version reached number one in several countries three months after Lennon's death in December 1980.

Today’s song deals with an emotion that has never been a feeling that has badly affected me; one of jealousy. I have always thought the act of being a bit jealous can prove beneficial in keeping a couple on their toes and not taking their partner for granted but will always see ‘being jealous’ as being a somewhat pointless exercise in which vital energy is wasted regretting one’s own past and instead envying the future of another. There is nothing positive that can ever come out of being jealous; only hurt. There is nothing wrong with feeling disappointed, hurt, rejected after some meaningful relationship has ended/broken up, but to feel the emotion of ‘jealousy’ because one’s ex-partner has found another love in his/her life and has emotionally ‘moved on’ from their former relationship with you is to deliberately replace in one’s body feelings of former love with feelings of current ill will.

In many ways, 'jealousy' is the emotion that kills off love under the pretence of keeping it alive, One can only be jealous of someone who has something that you think you should have yourself. I have always held the view that a self-confident person is incapable of jealousy, and that such is more often a symptom of neurotic insecurity; a kind of mental disease that is bred on doubt and sustained by senseless body activity scanning for evidence to prove one's imaginary point. In short, being jealous is to rub salt into one’s own emotional wounds, thereby jaundicing one’s healthy attitude.

I leave you with one of my favourite quotations on 'jealousy' by Francois de La Rochefoucauld who was a noted French author of maxims and memoirs. It is said that his world-view was clear-eyed and urbane and that he neither condemned human conduct nor sentimentally celebrated it:
‘Jealousy is bred in doubts. When those doubts change into certainties, then the passion either ceases or turns absolute madness.’

Love and peace Bill xxx
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Song For Today: 19th January 2019

19/1/2019

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Today’s song is one of my greatest surprises for a long time. Three days ago, was the very first time that I ever heard, or perhaps it’s more accurate to say, this song registered with me. What was surprising was the fact that I had ever missed it at all as one of my favourite singers, Glen Campbell sang it. It is ‘Turn Around, Look at Me’.

After listening to the words and melody this morning half a dozen times, it became self-evident that I would never be able to sing this song in precisely the same style as Glen Campbell’s version of the song. It was clear that I would need to make several key changes in my version besides tweaking a few of the words and notes. What I finished up with strays considerably from the original Glen Campbell version in its vocal crescendo passages; enough to truly say, 'this is my version'; a softer and less intense presentation. I hope that my changes have not spoiled this song for you but has instead provided you with another side of a wonderful song that is sung by a very ordinary 76-year-old singer who, quite frankly, doesn't give a dam!

Turn around, Look at Me’ was written by Jerry Capehart and was released as a single in 1961. This was Campbell’s first song to chart in the United States, hitting number 62 on the Billboard Top 100.

In 1964, while the ‘Bee Gees’ were still in Australia, they released a version of the song which did not chart. In 1968, ‘The Vogues’ released their remake as a single. This version was by far the most successful, reaching number 7 on the Hot 100. 

Love and peace. Bill xxx


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Song for Today: 18th January 2019

18/1/2019

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Today’s song I first heard as a number that was sung in the film ‘The Commitments’. ‘Mustang Sally’ is a rhythm and blues song that was first recorded by Mack Rice in 1965. The song gained greater popularity when Wilson Picket covered it the following year on a single, a version of which was also released on the 1965 album, ‘The Wilson Picket’. The song appeared on the soundtrack of the 1991 film, ‘The Commitments’ sung by Andrew Strong.

According to music historian Tom Shannon, the song started as a joke when singer Della Reese wanted a new Ford Mustang. Rice called the early version of the song, ‘Mustang Mama’ but changed the title to ‘Mustang Sally’ after Aretha Franklin suggested it. It is also felt that the song is influenced by the children's game song (recorded by various artists) ‘Little Sally Walker’, versions of which include the lyrics "Rise Sally rise, wipe your weepin' eyes", with variations.

Love and peace. Bill xxx
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Song for Today: 17th January 2019

17/1/2019

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Today’s song is ‘Everything I do, I do for you’. When my son Adam was in his teenage years, he would play this song over and over, especially after having seen the film ‘Robin Hood: Prince of Thieves’ in1991 which had the song as its soundtrack. Co-written and sung by Canadian singer and songwriter Bryan Adams, the song was an enormous chart success internationally reaching the number one position on the music charts of at least sixteen countries. It was particularly successful in the United Kingdom, where it spent sixteen consecutive weeks at number one on the UK Singles Chart (the longest run of its kind in British chart history), from July to October 1991. It went on to sell more than 15 million copies worldwide, making it Adams' most successful song and one of the best-selling singles of all time.

Subsequently, the song has been covered by hundreds of singers and artists around the world. Adams, Kamen and Lange won a Grammy Award for ‘Best Song Written Specifically for a Motion Picture or Television’ and was nominated for the ‘Grammy Award for Record of the Year’ in 1992. It was also nominated for an Academy Award for Best Song but lost to ‘Beauty and the Beast’ 

I dedicate this song to my son Adam with all my love. 

Love and peace Bill xxx
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Song For Today: 16th January 2019

16/1/2019

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Today’s song I sing is ‘Dream a little dream of Me’. This song and its music are by Fabian Andre and Wilbur Schwandt, with lyrics by Gus Kahn. It was first recorded in February 1931 by Ozzie Nelson. A short time after, the song was also recorded by Wayne King and His Orchestra, with vocal by Ernie Birchill. A popular standard, it has seen more than 60 other versions recorded by too many famous singers to name. One of the highest chart ratings was by the Mamas and Papas in 1968 with Cass Elliot on lead vocals.

It is not often that a 76-year-old man gets the experience to sing a song that was first recorded a dozen years before he was born, and also know that the song he sings today has been sung by some of the worlds finest singers over the past century: great singers like Frankie Lane, Ella Fitzgerald, Bing Crosby, Anita Harris, Louis Armstrong, Nat King Cole, Doris Day and Dean Martin, Michael Bublé and The Beautiful South to name but a few.

A song that can cross centuries is forever capable of stirring the senses of its listeners. 

Love and peace Bill xxx
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Song For Today: 15th January 2019

15/1/2019

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Today’s song is ‘Crying ‘, a ballad written by Roy Orbison and Joe Melson. The song was a big hit for Roy Orbison after its release in 1961. In 2002, ‘Crying’ was awarded a ‘Grammy Hall of Fame’ distinction. Don Mclean recorded by far, the most successful cover of the song.

Whenever I listen to ‘Crying’ and the high notes that Orbison reaches with so little effort, I always feel like personally awarding him an Olympic Gold Medal for his unimaginable vocal gymnastics. I give you this morning's rendition more out of fond memory for the song than with any attempt whatsoever to seek to replicate it in execution.

I also love the words of the song that gives out the message that we all cry; men as well as women, particularly where love and romance are known to have broken down. When a person doesn't cry outwardly and holds back their tears out of some sense of false pride/image or 'stiff upper lip' adoption, their sorrow simply finds vent through some other body organ. Besides, were the eyes never to show tears, the soul would be forever bereft of its rainbow that follows. My mother used to tell me as a child if ever I fell and hurt, and false pride made me stem the flow of my tears, "Never be afraid to cry, Billy. Tears are God's holy water that heals. People that cry have no need to curse."

Twenty-five years as a Probation Officer taught me that progress was often impossible until the person who had long repressed emotional problems gave themselves permission to express them. Often, the first form of expression were tears; they needed to cry. Seventy-six years of life has taught me that nothing can exist in this world without knowing its opposite. Happiness can never come out to play while ever sadness is painfully watching through the window of one's soul. You must let both out to experience either and make possible the expression of each. So never forget that we make more shallow the depth of our sorrows when we cry. 

Love and peace Bill xxx
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Song for Today: 14th January 2019

14/1/2019

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Today’s song I sing for you today is ‘When a Man Loves a Woman’. I will always remember being blown away by this record the very first time I heard Percy Sledge sing it in the mid-1960s. It is a song that simply evokes emotions and can only be sung in an unadulterated fashion that clearly identifies the singer to be a person who has known ‘love’. The song has also been recorded by Bette Midler and Michael Bolton. Michael Bolton also received a Grammy Award for this song.

In an interview, Sledge said:
“When I wrote the song at first, it was called, ‘Why Did You Leave Me Baby’. I changed it from that to ‘When a Man Loves a Woman’. I just reversed it. Quin told me that if I was to write some lyrics around that melody and the expression I'd put into ‘Why Did You Leave Me Baby’, he believed it would've been a hit record. He was one of the top disc jockeys at that time. Sure enough, he asked me if I had any lyrics for that. He said, ‘That's it! Write a story around that title! What a song that would be with that feeling you had!’ It was a song that was meant to be. It wasn't just what I had done; it was the musicians, the producer, the background singers, the right time.”

To me, the central message of this song will always simply be, when a man loves a woman, there is nothing that he will not do for her; no place he will not travel to, or remain at her request. There is simply no way he will ever betray her love and trust in him. His love is a symbolic totality; a loving feeling that remains eternally constant and which no earthly action can ever subtract from. 

Love and peace Bill xxx
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Song for Today: 13th January 2019

13/1/2019

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​Today’s song is one which resonates deeply with my current feelings; particularly about the daily singing practice that I began ten months ago. I wanted to do two things then: (1) Get over my fear of singing in public as 54 years had gone by since I’d previously sung to a public audience (2) Increase the amount of oxygen in my lungs which had been operating with a 30% deficiency since I had two successive heart attacks within the space of seven days 16 years earlier. As a result of my recent singing practice, I can happily report that I no longer fear singing to a public audience and that my oxygenation (lung capacity) has significantly shifted from borderline OCPD level to one of near normal (98-99). I can also report that despite several life-threatening health issues I have had to deal with over the past year, and am still dealing with, my daily singing practice has helped keep me happy throughout and maintain a positive attitude.

‘My song today is ‘Yesterday Once More’ was written by Richard Carpenter and John Bettis. It is a sung by the Carpenters from their 1973 album ‘Now and Then’. The words of this song are so relevant to my own life in many respects, particularly ‘how I feel about the songs of long ago that I used to listen to on the radio’.  Indeed, almost all the 200 plus songs I have practised singing over these past ten months are songs of my youth that I used to listen to on the radio.  Also; the title itself, ‘Yesterday once more’ is perfect for any song that instantly brings back memories from long ago and experiences which are repeating themselves. 

Love and peace. Bill xxx
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Song for Today: 12th January 2019

12/1/2019

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‘The Harder They Come’ is today’s song I sing for you. The song was recorded as the soundtrack of the film by the same name and was originally sung by reggae singer, Jimmy Cliff. It was released in 1972 in the United Kingdom and in February 1973 in North America. The soundtrack album played a major part in popularizing reggae in the United States and the world beyond, and the film itself preventing the genre from remaining an isolated phenomenon in Jamaica.

While the song deals with ‘troubles’ in the life of many Jamaicans, the title reminds all of us that the taller we stand in society, the further we have to fall if we’re toppled from our privileged position; the greater we are, the greater the fall from grace, the harder they come, the harder they fall.

Love and peace Bill xxx
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Song for Today: 11th January 2018

11/1/2019

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Today’s song is one associated with two famous women; a People’s Princess (Diana) and a Queen of the Film Screen (Marylin Monroe). These two women were each classed as being the world’s most beautiful woman in their respective hour of glory. Both became icons whom were renown for their unparalleled beauty and girlish mannerisms of innocent coquettish. Both women were adored by male eyes the world over and each met tragic ends, dying long before their time. Both women were greatly misunderstood and taken gross advantage of by men around them. The global stardom and publicity which each woman attained in their prime of life were ironically largely responsible for withering away the spirit that burned so brightly inside them; that like a candle in the wind, their lives were snuffed out in tragic demise.

‘Candle in the Wind’ is a ‘threnody’ with music and lyrics by Elton John and Bernie Taupin. It was originally written in 1973, in honour of Marilyn Monroe who died 11 years earlier. A ‘trenody’ is of Greek origin and is defined as being a wailing ode, song, hymn or poem of mourning that is composed or performed as a memorial to a dead person. 

In 1997, Elton John performed a rewritten version of the song as a tribute to Diana, Princess of Wales. The latter version was released as a single. It reached Number 1 in many countries, proving a much greater success than the original. It has since been officially recognised as the second best-selling single of all time behind Bing Crosby’s ‘White Christmas’ song. 

After singing the song at the late Princess Diana’s funeral service, Elton John said that he would never sing the song again out of his respect for Princess Diana.

Love and peace Bill xxx

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Song for Today: 10th January 2018

10/1/2019

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Today’s song, ‘Rivers of Babylon’ is a Rastafari song written and recorded by Brent Dowe and Trevor McNaughton of the Jamaican reggae group, ‘The Melodians’ in 1970. The lyrics are adapted from the texts of Psalms 19 and 137 in the Hebrew Bible. The Melodians' original version of the song appeared on the soundtrack album for the 1972 movie ‘The Harder They Come’, which made it internationally known.
The song was popularized in Europe by the 1978 Boney M. cover version, which was awarded a platinum disc and is one of the top-ten all-time best-selling singles in the UK. The B-side of the single, ‘Brown Girl in the Ring’, also became a hit.
Love and peace. Bill xxx
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Song For Today: 9th January 2019

9/1/2019

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This morning's song is one that takes me all the way back to the age of 9 years when I had an excellent voice and dreamed that one day, I would become the world’s best crooner and enjoy fame and fortune.

At that time, I lived in a newly built corporation house on Windybank Estate and I’d travel daily by bus down to Heckmondwike to attend St Patrick's Roman Catholic School. The bus would stop at the park in Heckmondwike, which was in the centre of town. To the left-hand side of the park was a large public toilet, which I daily entered and spent at least 5 minutes singing before going to school. Whenever possible, I would let the other bussing pupils go on ahead to school and enter the public toilets alone. I did this because the toilet was the only place apart from the public swimming baths at the top of Heckmondwike that produced an echo like a recording studio.

All the young ones under 50 have to bear in mind that the early 1950s were a time when there were no house phones or televisions in the homes of ordinary working class people; computers and all the electrical gadgets we take for granted today had yet to be born outside the scientific labs of brain boxes. Consequently, a budding singer had no microphones, recording machines, laptops, or Karaoke machines etc with which to test out their vocal range. All one could do would be get up on a stage in one of the regular talent contests and present your song cold turkey, more often without the luxury of a microphone. This necessitated the ability to be able to project one’s voice a minimum of twenty yards, (singing, not shouting), in the knowledge that if you were not heard on the back row, you couldn’t possibly win the singing contest.

I remember almost 67 years ago singing a song by Johnnie Ray called 'Cry'. Johnnie was an American singer, songwriter and pianist. His most unusual style of singing was probably influenced greatly by the fact that he was partially deaf all his life. Johnnie Alvin Ray, born in 1927 and died in 1990 was, without doubt, a major precursor to what would become Rock and Roll, for his jazz and blues-influenced music and his animated stage personality. Raised in Oregon, Johnnie was singing professionally at the age of fifteen years but would reach the grand old age of 24 years (1951) before he was signed by Columbia Records. By 1952, he had recorded ‘Cry’ that reached the Top 100 Song Chart.  

Love and peace. Bill xxx
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Song for Today: 8th January 2019

8/1/2019

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The song I sing for you today reflects a philosophy that I have long believed in; namely that the world is a place filled with loving thoughts, feelings and deeds, along with loving people who selfishly go about their daily lives carrying them out.

Each night I lay my head on my pillow, I mentally review the day I have just experienced. This has been a long-established practice of mine. When I was a boy, I must admit that I tended to go to sleep thinking more about something pleasant I would be doing or wanted to do the next day instead of what I had done today. I would never close my eyes without thinking of the love that my mother lavished on me, always reminding me that I was 'special'.

When I became a teenager, a larger part of me was of the more romantic kind, I still thought 'loving thoughts' before sleep and during it, although I must confess that such thoughts were less to do with the betterment and the advancement of my fellow beings, on the planet, rather than with my own advancement in being able to persuade some pretty girl that 'I was the boy for her!'

As a young man in my early twenties, as I hit the sack at the end of the day, much depended upon the prevailing state of my love life as to what aspect of 'Love' my mind would focus on as I lay there in bed, 'bursting with...love', and all manner of wanton thought of how best to spread myself more widely among the band of fetching female follows I dreamed about.

I must have been approaching my 30th year of life before I started to think more about the sufferings of others less fortunate than myself, and became more sympathetic and understanding of their behaviours and general lifestyle that often aggravated their already unfavourable conditions. The next 25 years spent occupied as a Probation Officer, Relaxation Trainer, and Stress Manager Group Leader essentially reinforced my belief in 'The Power of Love'. I had merely rediscovered the power of that 'unqualified love' my dear mother had invested in me from the day she gave birth to me until the day she died, and which memories of my childhood would remain inextricably bound up in. The very first children's book I had published, had as its theme, 'The Power of Love'.

Although a girl who left school early to help her mother with seven siblings to rear, mum was spontaneous in the love and respect she gave to all in equal measure. For instance, upon meeting a person, she gave them instant respect, not because they had earned such respect, but because she considered they deserved it! The love she gave me, my siblings and everyone she encountered was 'unqualified love' because she knew that the expression of love by one person towards another was what truly made the world turn and continue to spin on an axis of love.

From my forties on, I continued my daily struggle in my attempts to become a better person. It wasn't easy as I had become accustomed to 'the good life' that I now sought to swap for 'a better life'. I needed to become someone who was less selfish and less concerned about material possession or social status. I was gradually changing for the better and was more into how my friends, neighbours and fellow man/women /children were coping with life's difficulties, than worrying myself about any of my own ailments. For the first time since childhood, my mind was focused on the 'true love' that exists between each other. I refer not to that sheer physical love between man and woman or man and man within their intimate relationships, but a love so pure in purpose, so true in thought and so selfless in action that to grasp its worldly importance, like Atlas, would enable one to hold the whole world and heavens in their hands!

Since I met and married Sheila, my transformation still remained imperfect but became as complete as it ever would be. I was able, for the first time in my life, to feel a love that merged the physical with the mental, the psychological, the spiritual and the practical in a manner that both suited me and made complete sense. I became ever grateful for the living of each day I now experienced and whilst I had always believed in 'The Power of Love' and had practised prayer since childhood, I now believed in 'The Power of Prayer' alongside 'The Power of Love' and began to view them as indivisible.

'Can You Feel the Love Tonight' was composed and sung by Elton John and the lyrics were by Tim Rice. It is not only the song I sing from Disney's 1994 animated film 'The Lion King', but its message also. This message embodies a philosophy of life that now starts and ends every day for me. At the start of each day, I give 'thanks' and deliberately look for all the love that surrounds me and which I encounter before bedtime. At night, as I review my day, the last thoughts in my head before I close my eyes are what they always were; 'love'; but now it is the purest forms of love I have come to know. Before I go to sleep, I refuse to rest in peaceful slumber before I have extracted all the love I have witnessed in my day and felt from it.

My mother's philosophy embraced the Lion King's message long before Elton John was born or wrote the lyrics. The lyrics of the song say that love 'is enough to make kings and vagabonds believe the very best' are words that my mum wrote in her own way and which I will live until my last day on earth. 

Love and peace. Bill xxx
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Song for Today: 7th January 2018

7/1/2019

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Today’s song I sing for you poses a message that I have long and often asked myself, ’Why do fools fall in love’. This song was an original hit for the New York City-based group Frankie Lymon and the Teenagers in January 1956 and it also reached Number 1 on the UK Singles Chart.

As a young man, I was constantly finding love in the arms of some impressionable girl. Indeed, I would be hard pressed to find a time in my life when I wasn’t in love that I wasn’t in the process of ‘falling in love’ with some young girl or woman whose charms had smitten me to distraction. In fact, I’d go so far as to say that ‘being’ and ‘falling’ in love was a constant feature in my life ever since I discovered the sensual pleasures of being in the presence of feminine beauty of coquettish charm.

When I recall my conquests, knockbacks, bitter disappointments and rejections; when I remember those testosterone-driven years of youthful exploration around every attractive female I was able to put my hands on, I now know with the seasoned reason of an older and more streetwise man the indisputable yet crucial distinction between the messages a male frequently confuses as having been transmitted by his brain and not his balls!

Only growing through the developmental stages of the child, teenager and man enabled my expectations and experiences to match what my mind, body and feelings were telling me. I was eventually able to distinguish the difference between teenage infatuation and youthful curiosity. Only through emotional growth and increasing age was I able to distinguish between ‘what is’ and ‘what isn’t’; between ‘lust’ and ‘love’, between knowing the difference in ‘wanting to be with’ and ‘not wanting to be without’. I learned that It is not uncommon to find reluctance in leaving a sexually satisfying ‘affair’, even when love by both people isn’t present in the relationship. I also discovered how hard it can be for a wife who never worked outside her home and who is married to the wealthiest of husbands and enjoys living a luxurious lifestyle to leave her loveless marriage. Being conditioned to one’s high social status, being used to never having to do without militates against many an unhappily married woman ending her marriage. Such a radical change in her circumstances takes considerable courage.

As a Probation Officer, I often came across women in physically abusive relationships with their partners who preferred to stay within that relationship, not out of fear of leaving a controlling man who regularly beat her, but reluctant to leave the man she still loves and whom she wants to believe will someday change for the better.

Only one’s experience of the pleasant and unpleasant, the good and bad, the disappointing and emotionally devastating, acceptance and rejection, satisfying or suicidal; only these experiences can truly inform one whether ‘loving and losing’ is better than ‘never have loved at all’.

As a boy aged nine or ten, I once asked my mum, ‘Why do fools fall in love?’ My mother looked at me, smiled wryly and replied, ‘Because they’re fools, Billy. Because they’re fools!’ 

Love and peace. Bill xxx


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